Notes on Some Limits of Technicolor: The Antonioni Case Murray Pomerance December 2009 Feature Articles Issue 53 Whilst looking at the long and illustrious history of Technicolor films, Murray Pomerance uncovers the remarkable uses Michelangelo Antonioni put the Technicolor process through in his 1964 Red Desert and beyond.
Down and Away to Botany Bay Murray Pomerance September 2009 Feature Articles Issue 52 Pomerance looks at one of Australian-born John Farrow’s least-known films, the 1953 Botany Bay, through the prism of Hollywood’s representation of the “land down-under”.
Recuperation and Rear Window Murray Pomerance December 2003 Feature Articles Issue 29 James Stewart in Rear Window is convalescent, not mentally disturbed, argues Pomerance – whose own experience of immobilising injury gave him a chance to see this Hitchcock classic from a new angle.
