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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Murray Pomerance
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Murray Pomerance
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Murray Pomerance
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Murray Pomerance
      December 2018
      Issue 89
    more articles...
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    • Auschwitz­–Harlem: Post-Traumatic Economy in The Pawnbroker

      Murray Pomerance
      June 2011
      Feature Articles
      Issue 59
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Murray Pomerance
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Murray Pomerance
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Murray Pomerance
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Murray Pomerance
      December 2018
      Issue 89
    more articles...
    Random
    • Nostalgia, Chaos, and Moments of Ecstasy: The 36th Toronto International Film Festival

      Murray Pomerance
      December 2011
      Festival Reports
      Issue 61
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Murray Pomerance
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Murray Pomerance
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Murray Pomerance
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Murray Pomerance
      December 2018
      Issue 89
    more articles...
    Random
    • Vincente Minnelli: The Art of Entertainment edited by Joe McElhaney

      Murray Pomerance
      September 2009
      Book Reviews
      Issue 52
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Murray Pomerance
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Murray Pomerance
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Murray Pomerance
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Murray Pomerance
      October 2018
      Issue 88
    more articles...
    Random
    • Shanghai Express

      Murray Pomerance
      February 2012
      Cinémathèque Annotations on Film
      Issue 62
  • Great Directors
    Recent
    • Takahata, Isao

      Murray Pomerance
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Murray Pomerance
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Murray Pomerance
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Murray Pomerance
      October 2018
      Issue 88
    more articles...
    Random
    • Assayas, Olivier

      Murray Pomerance
      May 2006
      Great Directors
      Issue 39
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Author Murray Pomerance

Murray Pomerance

Murray Pomerance is Professor in the Department of Sociology at Ryerson University and the author of The Man Who Knew Too Much, The Eyes Have It: Cinema and the Reality Effect, Marnie,Alfred Hitchcock's America,Michelangelo Red Antonioni Blue: Eight Reflections on Cinema and The Horse Who Drank the Sky: Film Experience Beyond Narrative and Theory, and editor or co-editor of numerous volumes including Hamlet Lives in Hollywood: John Barrymore and the Acting Tradition On Screen. His book A Dream of Hitchcock is forthcoming in late 2018.

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Down and Away to Botany Bay

Murray Pomerance
September 2009
Feature Articles
Issue 52
Pomerance looks at one of Australian-born John Farrow’s least-known films, the 1953 Botany Bay, through the prism of Hollywood’s representation of the “land down-under”.
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Recuperation and Rear Window

Murray Pomerance
December 2003
Feature Articles
Issue 29
James Stewart in Rear Window is convalescent, not mentally disturbed, argues Pomerance – whose own experience of immobilising injury gave him a chance to see this Hitchcock classic from a new angle.
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Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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