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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Nag Vladermersky
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Nag Vladermersky
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Nag Vladermersky
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Nag Vladermersky
      December 2018
      Issue 89
    more articles...
    Random
    • Fig 4:

      Nick’s Movies

      Nag Vladermersky
      September 2013
      Feature Articles
      Issue 68
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Nag Vladermersky
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Nag Vladermersky
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Nag Vladermersky
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Nag Vladermersky
      December 2018
      Issue 89
    more articles...
    Random
    • A Soul Nourishing Pilgrimage: The 35th Frameline San Francisco International LGBT Film Festival

      Nag Vladermersky
      October 2011
      Festival Reports
      Issue 60
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Nag Vladermersky
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Nag Vladermersky
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Nag Vladermersky
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Nag Vladermersky
      December 2018
      Issue 89
    more articles...
    Random
    • What is New about “New Europe” in Contemporary European Cinema?: East, West and Centre:. Reframing Post-1989 European Cinema by Michael Gott and Todd Herzog (eds.)

      Nag Vladermersky
      September 2016
      Book Reviews
      Issue 80
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Nag Vladermersky
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Nag Vladermersky
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Nag Vladermersky
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Nag Vladermersky
      October 2018
      Issue 88
    more articles...
    Random
    • The Awful Truth and the Smallest Injustice in Film History

      Nag Vladermersky
      March 2011
      Cinémathèque Annotations on Film
      Issue 58
  • Great Directors
    Recent
    • Takahata, Isao

      Nag Vladermersky
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Nag Vladermersky
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Nag Vladermersky
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Nag Vladermersky
      October 2018
      Issue 88
    more articles...
    Random
    • Bouzid, Nouri

      Nag Vladermersky
      September 2013
      Great Directors
      Issue 68
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Author Nag Vladermersky

Nag Vladermersky

Nag Vladermersky is a member of the Melbourne Animation Posse, which organises animation festivals and events in Melbourne, Sydney and Adelaide. For more details visit the website at www.miaf.net.

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Caroline Leaf – An Interview

Nag Vladermersky
March 2003
Feature Articles
Issue 25
Making films since the '70s, animator extraordinaire, Caroline Leaf, here discusses her films, techniques and more in this interview with fan and friend, Nag Vladermersky.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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