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  • Features
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    • You Live Till You Die: Fatih Akin’s Hesitant Vigilante

      Nicholas Butler
      June 2018
      Issue 87

    • The Doors of Reception: Notes Toward a Psychedelic Film Investigation

      Nicholas Butler
      June 2018
      Issue 87

    • Darkness Itself Made Plastic: The Forms and Formlessness of Jacques Rivette’s La Belle Noiseuse

      Nicholas Butler
      June 2018
      Issue 87

    • Valeska Grisebach’s Western: an unacknowledged remake of Samuel Fuller’s Run of the Arrow

      Nicholas Butler
      June 2018
      Issue 87
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    • new hollywood

      Pop Provocation: A tour of the outer limits of the New Hollywood

      Nicholas Butler
      July 2016
      Feature Articles
      Issue 79
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    • Ash is the Purest White (Jia Zhang-ke, 2018)

      Cold Wars: The 2018 Cannes Film Festival

      Nicholas Butler
      June 2018
      Issue 87
    • Kinshasa Makambo (Dieudo Hamadi, 2018)

      Breaking Down Borders in the Midwest: True/False 2018

      Nicholas Butler
      June 2018
      Issue 87
    • sadder than playtime on a rainy day (Lobo Mauro, 2018)

      Finding the Forest Through the Trees: The 64th Internationale Kurzfilmtage Oberhausen

      Nicholas Butler
      June 2018
      Issue 87
    • No. 1 Chung Yung Street (Sung Kee Chiu, 2018)

      New Achievements, New Challenges: The 20th Far East Film Festival

      Nicholas Butler
      June 2018
      Issue 87
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    • Where is Africa?: The 39th International Film Festival Rotterdam 2010

      Nicholas Butler
      April 2010
      Festival Reports
      Issue 54
  • Book Reviews
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    • A Clockwork Orange (Kubrick, 1971)

      Styles of Substance: The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema, by Robert P. Kolker

      Nicholas Butler
      June 2018
      Issue 87

    • Mind of a Movie Critic: Two Cheers for Hollywood, by Joseph McBride

      Nicholas Butler
      June 2018
      Issue 87

    • Face, Flesh, Film: The Face on Film by Noa Steimatsky

      Nicholas Butler
      June 2018
      Issue 87

    • Cinema, the Art of Artificial Darkness: Artificial Darkness: An Obscure History of Modern Art and Media, by Noam Elcott

      Nicholas Butler
      June 2018
      Issue 87
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    • Jean-Luc Godard True History of Cinema and Television book review

      “…what I was seeking in my history of cinema was to be less alone”: Introduction to a True History of Cinema and Television by Jean-Luc Godard (trans. and ed. Timothy Barnard)

      Nicholas Butler
      June 2015
      Book Reviews
      Issue 75
  • CTEQ
    Recent
    • The Mercenary

      The Mercenary (Sergio Corbucci, 1968)

      Nicholas Butler
      June 2018
      Issue 87
    • Traps (1998)

      Comedy and the Castratrice: Věra Chytilová’s Traps (1998)

      Nicholas Butler
      June 2018
      Issue 87
    • Destiny

      Destiny (Fritz Lang, 1921)

      Nicholas Butler
      June 2018
      Issue 87
    • Sabata

      Sabata (Gianfranco Parolini, 1969): The Best of the Bad

      Nicholas Butler
      June 2018
      Issue 87
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    • A Jester's Tale film review

      Any Way the Wind Blows: A Jester's Tale

      Nicholas Butler
      June 2015
      Cinémathèque Annotations on Film
      Issue 75
  • Great Directors
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    • Philippe Grandieux

      Philippe Grandrieux

      Nicholas Butler
      June 2018
      Issue 87

    • Luchino Visconti

      Nicholas Butler
      June 2018
      Issue 87
    • Chantal Akerman

      Chantal Akerman

      Nicholas Butler
      February 2018
      Issue 86
    • Sergei Eisenstein

      Sergei Eisenstein

      Nicholas Butler
      December 2017
      Issue 85
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    • Hiroshi Teshigahara

      Nicholas Butler
      May 2003
      Great Directors
      Issue 26
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Author Nicholas Butler

Nicholas Butler

Nicholas Butler is a student of film at the US Air Force Academy, Colorado.

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The Bride Wore Red

Nicholas Butler
October 2004
Cinémathèque Annotations on Film
Issue 33
The Bride Wore Red (1937 USA 103 min) Source: Vigo Films Prod Co: Metro-Goldwyn-Mayer Prod: Joseph L. Mankiewicz Dir: Dorothy Arzner Scr: Bradbury Foote, Tess Slesinger, based on Ferenc Molnár's play...

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