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  • Features
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    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Nicholas Butler
      December 2018
      Issue 89

    • Audience and Performance in Kid Auto Races at Venice

      Nicholas Butler
      December 2018
      Issue 89

    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Nicholas Butler
      December 2018
      Issue 89

    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Nicholas Butler
      December 2018
      Issue 89
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    • Budd Boetticher

      Ride Lonesome: The Career of Budd Boetticher

      Nicholas Butler
      February 2006
      Feature Articles, Revisiting Budd Boetticher
      Issue 83
  • Festival Reports
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    • #Youmustsee: The 2018 Adelaide International Film Festival

      Nicholas Butler
      December 2018
      Issue 89

    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Nicholas Butler
      December 2018
      Issue 89

    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Nicholas Butler
      December 2018
      Issue 89

    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Nicholas Butler
      December 2018
      Issue 89
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    • DOCUMENTAMADRID 2017

      Notes on DOCUMENTAMADRID, the 14th Madrid International Documentary Film Festival

      Nicholas Butler
      June 2017
      Festival Reports
      Issue 83
  • Book Reviews
    Recent

    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Nicholas Butler
      December 2018
      Issue 89

    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Nicholas Butler
      December 2018
      Issue 89

    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Nicholas Butler
      December 2018
      Issue 89

    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Nicholas Butler
      December 2018
      Issue 89
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    • Alfred Hitchcock book reviews

      Two Books on Alfred Hitchcock: Alfred Hitchcock by Peter Ackroyd and Hitchcock on Hitchcock: Selected Writings and Interviews, Volume 2 by Sidney Gottlieb (ed.)

      Nicholas Butler
      September 2015
      Book Reviews
      Issue 76
  • CTEQ
    Recent

    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Nicholas Butler
      February 2019

    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Nicholas Butler
      February 2019

    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Nicholas Butler
      October 2018
      Issue 88

    • Hail (Amiel Courtin-Wilson, 2011)

      Nicholas Butler
      October 2018
      Issue 88
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    • Figuring Landscapes

      Nicholas Butler
      April 2010
      Cinémathèque Annotations on Film
      Issue 54
  • Great Directors
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    • Takahata, Isao

      Nicholas Butler
      December 2018
      Issue 89

    • Dovzhenko, Alexander

      Nicholas Butler
      December 2018
      Issue 89

    • Weerasethakul, Apichatpong

      Nicholas Butler
      October 2018
      Issue 88

    • Oliveira, Manoel de

      Nicholas Butler
      October 2018
      Issue 88
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    • Tati, Jacques

      Nicholas Butler
      May 2002
      Great Directors
      Issue 20 Issue 20
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Author Nicholas Butler

Nicholas Butler

Nicholas Butler is a student of film at the US Air Force Academy, Colorado.

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The Bride Wore Red

Nicholas Butler
October 2004
Cinémathèque Annotations on Film
Issue 33
The Bride Wore Red (1937 USA 103 min) Source: Vigo Films Prod Co: Metro-Goldwyn-Mayer Prod: Joseph L. Mankiewicz Dir: Dorothy Arzner Scr: Bradbury Foote, Tess Slesinger, based on Ferenc Molnár's play...

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