Senses of Cinema logo
Search
Subscribe

Subscribe to Senses of Cinema to receive news of our latest cinema journal.
Enter your email address below:

Submit
  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Nina Menkes
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Nina Menkes
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Nina Menkes
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Nina Menkes
      October 2019
      Issue 92
    more articles...
    Random
    • Focalisation Realism and Narrative Asymmetry in Alfonso Cuarón’s Children of Men

      Nina Menkes
      June 2014
      Feature Articles
      Issue 71
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Nina Menkes
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Nina Menkes
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Nina Menkes
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Nina Menkes
      October 2019
      Issue 92
    more articles...
    Random
    • DOK Leipzig

      Context and Contrast: DOK Leipzig 2015

      Nina Menkes
      December 2015
      Festival Reports
      Issue 77
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Nina Menkes
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Nina Menkes
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Nina Menkes
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Nina Menkes
      July 2019
      Issue 91
    more articles...
    Random
    • Film, Theory and Philosophy: The Key Thinkers edited by Felicity Colman

      Nina Menkes
      December 2010
      Book Reviews
      Issue 57
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Nina Menkes
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Nina Menkes
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Nina Menkes
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Nina Menkes
      October 2019
      Issue 92
    more articles...
    Random
    • La Peau douce

      La Peau douce

      Nina Menkes
      March 2018
      Cinémathèque Annotations on Film
      Issue 86
  • Great Directors
    Recent
    • Fei Mu

      Nina Menkes
      October 2019
      Issue 92
    • Huston, John

      Nina Menkes
      July 2019
      Issue 91
    • Stone, Oliver

      Nina Menkes
      July 2019
      Issue 91
    • Klapisch, Cédric

      Nina Menkes
      March 2019
      Issue 90
    more articles...
    Random
    • Quentin Tarantino

      Tarantino, Quentin

      Nina Menkes
      December 2015
      Great Directors
      Issue 77
  • Podcast
  • Support Senses
  • Shop
  • Subscribe
Can you spare a few dollars to help us keep publishing outstanding writing on cinema?

Support us by joining our Patreon community and get heaps of rewards like e-Zines & bonus podcast content!

Join up now >>

  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Past Issues
  • Special Dossiers
  • World Poll
  • Advertisers
  • Proposals
  • Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
  • Subscribe

Author Nina Menkes

Nina Menkes

Nina Menkes is a leading American independent filmmaker, whose five features have won international acclaim for their unique cinematic vision. She has most recently shot and co-directed a feature length, experimental documentary in Beirut, Lebanon, which will play at this year's Berlinale. She welcomes your correspondence.

article placeholder

The Heart is Deceitful: The Film is Not

Nina Menkes
February 2005
Brief Encounters
Issue 34
Asia Argento's latest film is raw, confrontational and true to itself.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

Webmaster and Administrator: Bradley Dixon

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff