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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    more articles...
    Random
    • Jayne Amara Ross and Viviane Vagh interview

      Janus of the Antipodes: An Interview with French-Australian Filmmakers Jayne Amara Ross and Viviane Vagh

      Oloruntoba John Olubunmi
      June 2015
      Feature Articles
      Issue 75
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    more articles...
    Random
    • Unfamiliar Ground: The 38th International Film Festival Rotterdam

      Oloruntoba John Olubunmi
      April 2009
      Festival Reports
      Issue 50
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Oloruntoba John Olubunmi
      July 2019
      Issue 91
    more articles...
    Random
    • The Aesthetic Mobilities of Lyotard’s Film-Philosophy: Acinemas: Lyotard’s Philosophy of Film, by Graham Jones and Ashley Woodward (eds.)

      Oloruntoba John Olubunmi
      October 2018
      Book Reviews
      Issue 88
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    more articles...
    Random
    • Fireworks

      Oloruntoba John Olubunmi
      July 2003
      Cinémathèque Annotations on Film
      Issue 74
  • Great Directors
    Recent
    • Fei Mu

      Oloruntoba John Olubunmi
      October 2019
      Issue 92
    • Huston, John

      Oloruntoba John Olubunmi
      July 2019
      Issue 91
    • Stone, Oliver

      Oloruntoba John Olubunmi
      July 2019
      Issue 91
    • Klapisch, Cédric

      Oloruntoba John Olubunmi
      March 2019
      Issue 90
    more articles...
    Random
    • Forsyth, Bill

      Oloruntoba John Olubunmi
      October 2004
      Great Directors
      Issue 33
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Author Oloruntoba John Olubunmi

Oloruntoba John Olubunmi

Bunmi Oloruntoba is currently completing a M.F.A in scriptwriting at Regent University, Virginia Beach. He lies awake at night wondering why kamikaze pilots wore helmets.

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Summer Holiday

Oloruntoba John Olubunmi
July 2004
Cinémathèque Annotations on Film
Issue 32
Summer Holiday (USA 1948 92 mins) Source: NLA/ACMI Prod Co: MGM Prod: Arthur Freed Dir: Rouben Mamoulian Scr: Frances Goodrich, Albert Hackett, Irving Brecher, Jean Holloway, from Eugene O'Neill's play...
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The Atomic Cafe

Oloruntoba John Olubunmi
April 2004
Cinémathèque Annotations on Film
Issue 31
The Atomic Cafe (1982 USA 92 mins) Source: Sharmill Films Prod Co: The Archives Project Prod, Dir: Jayne Loader, Kevin Rafferty, Pierce Rafferty Ed: Jayne Loader, Kevin Rafferty Sound: Marge...
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Il Bell’Antonio

Oloruntoba John Olubunmi
April 2004
Cinémathèque Annotations on Film
Issue 31
Il Bell'Antonio (1960 Italy 104 mins) Source: ScreenSound Australia Prod Co: Arco/Cino del Duca/Societé Cinématographique Lyre Prod: Alfredo Bini Dir: Mauro Bolognini Scr: Pier Paolo Pasolini, Gino...

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César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

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