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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Parichay Patra
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Parichay Patra
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Parichay Patra
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Parichay Patra
      December 2018
      Issue 89
    more articles...
    Random
    • Cinematic Scar Tissue: An Interview with Joshua Oppenheimer on The Act of Killing

      Parichay Patra
      September 2013
      Feature Articles
      Issue 67
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Parichay Patra
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Parichay Patra
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Parichay Patra
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Parichay Patra
      December 2018
      Issue 89
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    • Moroccan Cinema Alive: The 12th Festival National du Film, Tangier

      Parichay Patra
      March 2011
      Festival Reports
      Issue 58
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Parichay Patra
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Parichay Patra
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Parichay Patra
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Parichay Patra
      December 2018
      Issue 89
    more articles...
    Random
    • The Beauty of the Real: What Hollywood Can Learn From Contemporary French Actresses by Mick LaSalle

      Parichay Patra
      March 2013
      Book Reviews
      Issue 66
  • CTEQ
    Recent
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Parichay Patra
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Parichay Patra
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Parichay Patra
      October 2018
      Issue 88
    • A City in Transition in Taipei Story (Edward Yang, 1985)

      Parichay Patra
      October 2018
      Issue 88
    more articles...
    Random
    • … à Valparaiso

      Parichay Patra
      September 2009
      Cinémathèque Annotations on Film
      Issue 52
  • Great Directors
    Recent
    • Takahata, Isao

      Parichay Patra
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Parichay Patra
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Parichay Patra
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Parichay Patra
      October 2018
      Issue 88
    more articles...
    Random
    • Haneke, Michael

      Parichay Patra
      December 2010
      Great Directors
      Issue 57
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Author Parichay Patra

Parichay Patra

Parichay Patra has recently completed his PhD on the Indian New Wave cinemas of the 1970s from the Dept. of Film & Screen Studies, Monash University. He has co-edited a couple of volumes on Indian cinemas and is currently in the process of co-editing a collection of essays on Lav Diaz.

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A Tale of Two Festivals: International Film Festival of India and Experimenta

Parichay Patra
March 2018
Festival Reports
Issue 86
International Film Festival of India, popularly known by its acronym IFFI, rests, like many other events in South Asia, on its past glory and nostalgic recollection. The standard received and widely accepted...
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In Defence of A River Called Titas (Ritwik Ghatak, 1973)

Parichay Patra
March 2017
Cinémathèque Annotations on Film
Issue 82
Ghatak’s women rarely confront his uncannily mobile camera in Titas Ekti Nadir Naam (A River Called Titas, 1973), they suffer patiently, are violently put asunder, and die. On that fateful day of the...

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