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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Pasquale Iannone
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Pasquale Iannone
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Pasquale Iannone
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Pasquale Iannone
      October 2019
      Issue 92
    more articles...
    Random
    • The Free Mind of a Man in Captivity: 12 Years A Slave, Book and Film

      Pasquale Iannone
      October 2014
      Feature Articles
      Issue 72
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Pasquale Iannone
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Pasquale Iannone
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Pasquale Iannone
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Pasquale Iannone
      October 2019
      Issue 92
    more articles...
    Random
    • Jeonju 2017

      Reckoning with the Past: The 18th Jeonju International Film Festival

      Pasquale Iannone
      June 2017
      Festival Reports
      Issue 83
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Pasquale Iannone
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Pasquale Iannone
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Pasquale Iannone
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Pasquale Iannone
      July 2019
      Issue 91
    more articles...
    Random
    • Nicole Kidman: Stardom, Performance and Persona

      Pasquale Iannone
      March 2014
      Book Reviews
      Issue 70
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Pasquale Iannone
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Pasquale Iannone
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Pasquale Iannone
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Pasquale Iannone
      October 2019
      Issue 92
    more articles...
    Random
    • Querelle

      The Betrayals of Rainer Werner Fassbinder’s Querelle (1982)

      Pasquale Iannone
      March 2016
      Cinémathèque Annotations on Film
      Issue 78
  • Great Directors
    Recent
    • Fei Mu

      Pasquale Iannone
      October 2019
      Issue 92
    • Huston, John

      Pasquale Iannone
      July 2019
      Issue 91
    • Stone, Oliver

      Pasquale Iannone
      July 2019
      Issue 91
    • Klapisch, Cédric

      Pasquale Iannone
      March 2019
      Issue 90
    more articles...
    Random
    • Corman, Roger

      Pasquale Iannone
      February 2006
      Great Directors
      Issue 38
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Author Pasquale Iannone

Pasquale Iannone

Pasquale Iannone teaches Film Studies at the University of Edinburgh. He is also a critic and broadcaster, regularly contributing to Sight & Sound and various BBC Radio programmes.

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2003: Russian Ark (Aleksandr Sokurov)

Pasquale Iannone
December 2017
100 Years of Soviet Cinema
Issue 85
Russian Ark/Russkiy kovcheg (2002 Russia 99 mins) Prod Co: Egoli Tossell Film/For a Film/The Hermitage Bridge Studio Prod: Andrei Deryabin, Jens Meurer Dir: Aleksandr Sokurov Scr: Anatoli Nikiforov,...
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1971: Trial of the Road (Aleksei German)

Pasquale Iannone
December 2017
100 Years of Soviet Cinema
Issue 85
In her 2007 study of the Russian war film, Denise J. Youngblood argues that while Soviet society was in a state of stagnation in the 1970s, the Soviet war film certainly was not: “The thematic gap between...
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Sicilia! (Jean-Marie Straub and Danièle Huillet, 1999)

Pasquale Iannone
September 2017
Cinémathèque Annotations on Film
Issue 84
The most famous work by Siracusa-born Elio Vittorini, Conversations in Sicily (1941) tells the story of Silvestro Ferrauto, a Sicilian living in Milan who makes the trip back to his birthplace in an attempt to...
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Mafioso

Pasquale Iannone
July 2014
2014 Melbourne International Film Festival Dossier
Issue 71
While he may be most famous outside of Italy for co-directing Federico Fellini’s first feature Luci del varietà (Variety Lights, 1950), Milan-born Alberto Lattuada had a long career spanning more than four...
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That Obscure Object of Desire

Pasquale Iannone
December 2013
Cinémathèque Annotations on Film
Issue 70
While there are many examples of individual actors playing multiple roles in the same film – Alec Guinness in Kind Hearts and Coronets (Robert Hamer, 1949), Peter Sellers in Dr. Strangelove or: How I Learned...
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Un tranquillo posto di campagna/A Quiet Place in the Country

Pasquale Iannone
July 2013
Uncategorized
Issue 67
Between 1961 and 1968, Elio Petri established himself as one of the most distinctive voices of Italian post-neo-realist cinema. His 1961 feature debut L’Assassino is an often-overlooked example of the filmic...
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L’assassino

Pasquale Iannone
March 2013
Cinémathèque Annotations on Film
Issue 66
Among the great wave of film debuts in the late 1950s and early 1960s, that of Rome-born director Elio Petri is often overshadowed by those of his contemporaries both in Italy and abroad. Even in terms of...
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Trial of the Road

Pasquale Iannone
March 2013
Cinémathèque Annotations on Film
Issue 66
In her 2007 study of the Russian war film, Denise J. Youngblood argues that while Soviet society was in a state of stagnation in the 1970s, the Soviet war film certainly was not: “The thematic gap between...
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I Magliari

Pasquale Iannone
March 2012
Cinémathèque Annotations on Film
Issue 62
Released two years before his international breakthrough Salvatore Giuliano (1962), Francesco Rosi’s I magliari (1959) is the story of immigrant Italian workers seeking their fortune in late Adenauer-era...
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Lucky Luciano

Pasquale Iannone
March 2012
Cinémathèque Annotations on Film
Issue 62
As Gian-Piero Brunetta has noted, Francesco Rosi’s Il caso Mattei (The Mattei Affair, 1972) and Lucky Luciano (1973) saw the Neapolitan filmmaker return to the narrative model of his first major success...
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Europa Europa

Pasquale Iannone
October 2011
Cinémathèque Annotations on Film
Issue 60
Who was my friend? Who was my enemy? How could they be kind to me and at the same time kill others so horribly? What set us apart? A simple foreskin? - Solly Perel in Europa, Europa Among the many...
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Senso

Pasquale Iannone
March 2011
Cinémathèque Annotations on Film
Issue 58
Released in 1954, Senso was Visconti’s fourth feature and is recognised as a milestone in the director’s career. Not only did it mark a decisive move away from the neo-realism of Ossessione (1942) and La...
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