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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Patricia Edgar
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Patricia Edgar
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Patricia Edgar
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Patricia Edgar
      December 2018
      Issue 89
    more articles...
    Random
    • A Reply From John Flaus

      Patricia Edgar
      December 2014
      Feature Articles
      Issue 73
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Patricia Edgar
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Patricia Edgar
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Patricia Edgar
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Patricia Edgar
      December 2018
      Issue 89
    more articles...
    Random
    • Ash is the Purest White (Jia Zhang-ke, 2018)

      Cold Wars: The 2018 Cannes Film Festival

      Patricia Edgar
      June 2018
      Festival Reports
      Issue 87
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Patricia Edgar
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Patricia Edgar
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Patricia Edgar
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Patricia Edgar
      December 2018
      Issue 89
    more articles...
    Random
    • The Afterlives of Acting: Famous Faces Yet Not Themselves: The Misfits and Icons of Postwar America by George Kouvaros

      Patricia Edgar
      June 2012
      Book Reviews
      Issue 63
  • CTEQ
    Recent
    • Fractured images and tainted dreams: Sergio Leone’s Once upon a Time in America

      Patricia Edgar
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Patricia Edgar
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Patricia Edgar
      October 2018
      Issue 88
    • A City in Transition in Taipei Story (Edward Yang, 1985)

      Patricia Edgar
      October 2018
      Issue 88
    more articles...
    Random
    • Little Otik

      Patricia Edgar
      June 2014
      Cinémathèque Annotations on Film
      Issue 71
  • Great Directors
    Recent
    • Takahata, Isao

      Patricia Edgar
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Patricia Edgar
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Patricia Edgar
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Patricia Edgar
      October 2018
      Issue 88
    more articles...
    Random
    • Kubrick, Stanley

      Patricia Edgar
      May 2002
      Great Directors
      Issue 20 Issue 20
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Author Patricia Edgar

Patricia Edgar

Patricia Edgar is a sociologist, educator, film and television producer, writer, researcher and policy analyst. In a career spanning more than four decades she has been at the forefront of media for children nationally and internationally, winning multiple awards for her achievements and programs.

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The John Flaus I Know

Patricia Edgar
October 2014
John Flaus Dossier
Issue 72
This is a story about a 40-year friendship. One I have always valued greatly. Others will write about John Flaus’ significant contribution to film and television culture in Australia in all its dimensions,...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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