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	<title>Senses of Cinema &#187; Peter Tonguette</title>
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	<link>http://sensesofcinema.com</link>
	<description>Issue 62</description>
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		<title>“Yes, We Must Improve Ourselves”: Damsels in Distress</title>
		<link>http://sensesofcinema.com/2012/feature-articles/yes-we-must-improve-ourselves-damsels-in-distress/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/yes-we-must-improve-ourselves-damsels-in-distress/#comments</comments>
		<pubDate>Sun, 22 Jul 2012 02:18:49 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 63 | July 2012]]></category>
		<category><![CDATA[Damsels in Distress]]></category>
		<category><![CDATA[Whit Stillman]]></category>

		<guid isPermaLink="false">http://sensesofcinema.com/?p=11727</guid>
		<description><![CDATA[A great misapprehension surrounds the four films of Whit Stillman: he is said to only be interested in the rich or super-rich. The dye was cast twenty-two years ago, when his first film, Metropolitan, was released. Because his debut was peopled by, as one character puts it, “standard New York social types,” Stillman was forever ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Journey to Galveston: An Interview with Catherine Berge on King Vidor</title>
		<link>http://sensesofcinema.com/2011/feature-articles/journey-to-galveston-an-interview-with-catherine-berge-on-king-vidor-2/</link>
		<comments>http://sensesofcinema.com/2011/feature-articles/journey-to-galveston-an-interview-with-catherine-berge-on-king-vidor-2/#comments</comments>
		<pubDate>Thu, 23 Jun 2011 15:31:09 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 59 | June 2011]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=9034</guid>
		<description><![CDATA[In the late 1970s, Catherine Berge’s encounter with both the films and person of King Vidor was a seminal turning point in her life. Here, she talks about her personal history with the director and her 1980 film devoted to him. ]]></description>
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		<title>King Vidor: The Editor’s Director</title>
		<link>http://sensesofcinema.com/2011/feature-articles/king-vidor-the-editor%e2%80%99s-director/</link>
		<comments>http://sensesofcinema.com/2011/feature-articles/king-vidor-the-editor%e2%80%99s-director/#comments</comments>
		<pubDate>Thu, 23 Jun 2011 15:30:12 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 59 | June 2011]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=8866</guid>
		<description><![CDATA[A great director, no doubt, but as Peter Tonguette demonstrates, King Vidor was equally proficient at the art and craft of editing]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Steven Spielberg: A Biography second edition by Joseph McBride</title>
		<link>http://sensesofcinema.com/2011/book-reviews/steven-spielberg-a-biography-second-edition-by-joseph-mcbride/</link>
		<comments>http://sensesofcinema.com/2011/book-reviews/steven-spielberg-a-biography-second-edition-by-joseph-mcbride/#comments</comments>
		<pubDate>Thu, 23 Jun 2011 14:43:30 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Book Reviews]]></category>
		<category><![CDATA[Issue 59 | June 2011]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=9163</guid>
		<description><![CDATA[By 1997, when the first edition of Joseph McBride’s Steven Spielberg: A Biography was published, its author’s previous subjects included Orson Welles, John Ford, Howard Hawks, and Frank Capra. To add Steven Spielberg to that list was, McBride surely must have realised, something of a statement. In effect, McBride, with a formidable reputation as a ]]></description>
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		<item>
		<title>What Ever Happened to Orson Welles? A Portrait of an Independent Career by Joseph McBride</title>
		<link>http://sensesofcinema.com/2007/book-reviews/what-happened-welles/</link>
		<comments>http://sensesofcinema.com/2007/book-reviews/what-happened-welles/#comments</comments>
		<pubDate>Sat, 12 May 2007 01:22:36 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Book Reviews]]></category>
		<category><![CDATA[Issue 43]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2178</guid>
		<description><![CDATA[In his excellent 1996 review of several Orson Welles books which had just been published, Jonathan Rosenbaum wrote the following about the revised and expanded edition of Joseph McBride’s classic Orson Welles (1): [O]ne of the invaluable merits of McBride’s modest critical study…derives from the fact that he worked for Welles as an actor on ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Keith Gordon on Keith Gordon, Part Two: Less Afraid of Happy Endings</title>
		<link>http://sensesofcinema.com/2005/feature-articles/keith_gordon_part2/</link>
		<comments>http://sensesofcinema.com/2005/feature-articles/keith_gordon_part2/#comments</comments>
		<pubDate>Tue, 08 Feb 2005 20:20:00 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 34]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=3410</guid>
		<description><![CDATA[The second half of an in-depth interview, covering Gordon's recent films, therein revealing an evolution of his thematic and stylistic concerns]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Keith Gordon on Keith Gordon, Part One: From Actor to Director</title>
		<link>http://sensesofcinema.com/2004/feature-articles/keith_gordon/</link>
		<comments>http://sensesofcinema.com/2004/feature-articles/keith_gordon/#comments</comments>
		<pubDate>Wed, 27 Oct 2004 23:15:00 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 33]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=3425</guid>
		<description><![CDATA[The first half of an in-depth interview, covering Gordon's beginnings as an actor and his first three films as director]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Carlo Di Palma: An Appreciation and a Remembrance</title>
		<link>http://sensesofcinema.com/2004/feature-articles/carlo_di_palma/</link>
		<comments>http://sensesofcinema.com/2004/feature-articles/carlo_di_palma/#comments</comments>
		<pubDate>Wed, 27 Oct 2004 23:09:14 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 33]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4664</guid>
		<description><![CDATA[This tribute to the distinguished cinematographer (1925–2004) focuses on his 11-film collaboration with Woody Allen]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Peter Bogdanovich</title>
		<link>http://sensesofcinema.com/2004/great-directors/bogdanovich/</link>
		<comments>http://sensesofcinema.com/2004/great-directors/bogdanovich/#comments</comments>
		<pubDate>Mon, 26 Jul 2004 02:26:00 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Great Directors]]></category>
		<category><![CDATA[Issue 32]]></category>
		<category><![CDATA[Peter Bogdanovich]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=3748</guid>
		<description><![CDATA[b. July 30, 1939, Kingston, New York, USA Filmography Select Bibliography Articles in Senses Web Resources Let Us Sing of the Days That Are Gone…Peter Bogdanovich: A Cinema of Silent Exchanges “When You and I Were Young, Maggie” Music by James Butterfield Lyrics by George Johnson I wandered today to the hill, Maggie, To watch ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“The Company of Magicians”: Orson Welles, Abb Dickson, Scarlet Plush, and Purple Hokum</title>
		<link>http://sensesofcinema.com/2004/feature-articles/orson_welles_magicians/</link>
		<comments>http://sensesofcinema.com/2004/feature-articles/orson_welles_magicians/#comments</comments>
		<pubDate>Mon, 26 Jul 2004 02:26:00 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 32]]></category>
		<category><![CDATA[Orson Welles]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=3461</guid>
		<description><![CDATA[Welles' fascination with magic fuelled one of his most intriguing late projects. His collaborator recalls its making]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Off-Key: What the Critics Missed in The Singing Detective</title>
		<link>http://sensesofcinema.com/2004/feature-articles/singing_detective/</link>
		<comments>http://sensesofcinema.com/2004/feature-articles/singing_detective/#comments</comments>
		<pubDate>Thu, 12 Feb 2004 01:42:00 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 30]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=3905</guid>
		<description><![CDATA[Critics who dismissed Keith Gordon's <em>The Singing Detective</em> as a failed adaptation or musical have missed the point, argues Tonguette, who sees the film as the latest instalment of a remarkable body of work]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>From the Beginning: Notes on Orson Welles’ Most Personal Late Film</title>
		<link>http://sensesofcinema.com/2003/27/welles_dreamers/</link>
		<comments>http://sensesofcinema.com/2003/27/welles_dreamers/#comments</comments>
		<pubDate>Fri, 25 Jul 2003 14:55:00 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Issue 27]]></category>
		<category><![CDATA[Lost Films]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=3964</guid>
		<description><![CDATA[On the trail of the unfinished Isak Dinesen adaptation <em>The Dreamers</em>, Tonguette talks with Welles experts and associates about this crucial late work]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2003/27/welles_dreamers/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Richard Lester</title>
		<link>http://sensesofcinema.com/2003/great-directors/lester/</link>
		<comments>http://sensesofcinema.com/2003/great-directors/lester/#comments</comments>
		<pubDate>Wed, 21 May 2003 23:22:00 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Great Directors]]></category>
		<category><![CDATA[Issue 26]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4452</guid>
		<description><![CDATA[b. January 19, 1932, Philadelphia, Pennsylvania, USA filmography bibliography web resources Looking back on the career of Richard Lester is a little like receiving the rarest of glimpses of an all but unimaginable period in Hollywood history. Lester is a director who functioned fully within the mainstream of studio filmmaking. Though he rarely worked in ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2003/great-directors/lester/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>California Split</title>
		<link>http://sensesofcinema.com/2003/cteq/california_split/</link>
		<comments>http://sensesofcinema.com/2003/cteq/california_split/#comments</comments>
		<pubDate>Wed, 21 May 2003 23:22:00 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Cinémathèque Annotations on Film]]></category>
		<category><![CDATA[Issue 26]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4213</guid>
		<description><![CDATA[California Split (1974 USA 108 mins) Source: ScreenSound Australia Prod Co: Columbia Pictures Prod: Robert Altman, Joseph Walsh Dir: Robert Altman Scr: Joseph Walsh Phot: Paul Lohmann Ed: Lou Lombardo Art Dir: Leon Ericksen Mus: Phyllis Shotwell Cast: George Segal, Elliott Gould, Ann Prentiss, Gwen Welles, Edward Walsh, Joseph Walsh, Jeff Goldblum, Vincent Palmieri Too ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Lady Eve</title>
		<link>http://sensesofcinema.com/2003/cteq/lady_eve/</link>
		<comments>http://sensesofcinema.com/2003/cteq/lady_eve/#comments</comments>
		<pubDate>Fri, 21 Mar 2003 13:50:00 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Cinémathèque Annotations on Film]]></category>
		<category><![CDATA[Issue 25]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4234</guid>
		<description><![CDATA[The Lady Eve (1941 USA 90mins) Source: ACMI/NLA Prod Co: Paramount Prod: Paul Jones Dir, Scr: Preson Sturges Phot: Victor Milner Ed: Stuart Gilmore Art Dir: Hans Dreier, Ernst Fegte Mus Dir: Sigmund Krumgold Cast: Henry Fonda, Barbara Stanwyck, Charles Coburn, Eugene Pallette, William Demarest, Eric Blore Preston Sturges&#8217; The Lady Eve was released the ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Typewriter, The Rifle, and the Movie Camera</title>
		<link>http://sensesofcinema.com/2002/cteq/typewriter/</link>
		<comments>http://sensesofcinema.com/2002/cteq/typewriter/#comments</comments>
		<pubDate>Thu, 03 Oct 2002 23:36:00 +0000</pubDate>
		<dc:creator>Peter Tonguette</dc:creator>
				<category><![CDATA[Cinémathèque Annotations on Film]]></category>
		<category><![CDATA[Issue 22]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4249</guid>
		<description><![CDATA[The Typewriter, The Rifle, and the Movie Camera (1996 USA 55 mins) Source: ACMI/NLA Prod Co: BFI, Independent Film Channel Prod: Paula Jalfon, Colin MacCabe, Tim Robbins Dir, Scr: Adam Simon Phot: Caroline Champetier Ed: Bill Diver Cast: Samuel Fuller, Tim Robbins, Jim Jarmusch, Martin Scorsese, Quentin Tarantino As a young man in 1930s New ]]></description>
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