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  • Features
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    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Philippa Hawker
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Philippa Hawker
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Philippa Hawker
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Philippa Hawker
      October 2019
      Issue 92
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    • Poverty and Women’s Sacrifices in Stella Dallas (1937) and Wendy and Lucy (2008)

      Philippa Hawker
      July 2019
      Feature Articles
      Issue 91
  • Festival Reports
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    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Philippa Hawker
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Philippa Hawker
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Philippa Hawker
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Philippa Hawker
      October 2019
      Issue 92
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    • Building Networks in a Contested Space: DMZ International Documentary Film Festival 2014

      Philippa Hawker
      December 2014
      Festival Reports
      Issue 73
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Philippa Hawker
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Philippa Hawker
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Philippa Hawker
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Philippa Hawker
      July 2019
      Issue 91
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    • Rerouting Early Cinema History: Education in the School of Dreams: Travelogues and Early Nonfiction Film by Jennifer Lynn Peterson

      Philippa Hawker
      March 2015
      Book Reviews
      Issue 74
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Philippa Hawker
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Philippa Hawker
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Philippa Hawker
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Philippa Hawker
      October 2019
      Issue 92
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    • D'Est: Spectres of Communism

      Philippa Hawker
      May 2013
      Cinémathèque Annotations on Film
      Issue 67
  • Great Directors
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    • Fei Mu

      Philippa Hawker
      October 2019
      Issue 92
    • Huston, John

      Philippa Hawker
      July 2019
      Issue 91
    • Stone, Oliver

      Philippa Hawker
      July 2019
      Issue 91
    • Klapisch, Cédric

      Philippa Hawker
      March 2019
      Issue 90
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    • Altman, Robert

      Philippa Hawker
      February 2005
      Great Directors
      Issue 34
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Author Philippa Hawker

Philippa Hawker

Philippa Hawker reviews and writes on film for The Age, and is a former editor of Cinema Papers. She is writing a study of the screen life of Jean-Pierre Léaud.

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Jean-Pierre Léaud Retrospective

Philippa Hawker
July 2014
2014 Melbourne International Film Festival Dossier
Issue 71
To be anointed as the child of the nouvelle vague could be a burden for any actor to bear, but Jean-Pierre Léaud has carried it with grace, inventiveness and humility over more than half a century of cinema....
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Dead-End Drive-In

Philippa Hawker
July 2008
Dossier on Australian Exploitation, Special Dossiers
Issue 48
Review of Brian Trenchard-Smith’s 1986 apocalyptic thriller. One of Quentin Tarantino’s favourite Aussie movies.
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Jean-Pierre Léaud: Unbearable Lightness

Philippa Hawker
July 2000
Jean-Pierre Léaud
Issue 8
From Antoine Doinel to René Vidal, Léaud's has been a fascinating career.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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