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  • Features
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    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Philippe Met
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Philippe Met
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Philippe Met
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Philippe Met
      October 2019
      Issue 92
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      Philippe Met
      March 2016
      Feature Articles
      Issue 79
  • Festival Reports
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    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Philippe Met
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Philippe Met
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Philippe Met
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Philippe Met
      October 2019
      Issue 92
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    • In the Shadow of the Giant: the 37th Hong Kong International Film Festival

      Philippe Met
      June 2013
      Festival Reports
      Issue 67
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Philippe Met
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Philippe Met
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Philippe Met
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Philippe Met
      July 2019
      Issue 91
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    • Conversations with Directors: An Anthology of Interviews from Literature/Film Quarterly edited by Elsie M. Walker and David T. Johnson

      Philippe Met
      October 2010
      Book Reviews
      Issue 56
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Philippe Met
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Philippe Met
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Philippe Met
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Philippe Met
      October 2019
      Issue 92
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    • Le Trou

      Philippe Met
      May 2006
      Cinémathèque Annotations on Film
      Issue 73
  • Great Directors
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    • Fei Mu

      Philippe Met
      October 2019
      Issue 92
    • Huston, John

      Philippe Met
      July 2019
      Issue 91
    • Stone, Oliver

      Philippe Met
      July 2019
      Issue 91
    • Klapisch, Cédric

      Philippe Met
      March 2019
      Issue 90
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    • Bolognini, Mauro

      Philippe Met
      November 2006
      Great Directors
      Issue 41
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Author Philippe Met

Philippe Met

Philippe Met is Professor of French and Cinema Studies at the University of Pennsylvania.

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Abel Ferrara: Filming (on) the Wild Side (of New York)

Philippe Met
September 2013
Feature Articles
Issue 68
“ New York City is the place where they said Hey babe, take a walk on the wild side ” –Lou Reed, Walk on the Wild Side, 1972 Irrespective of his status as an American cinéaste maudit who is still...

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