rahul-hamid
Peppermint Candy
Lee Chang-dong is the cinema’s great poet of disappointment. His films are preoccupied by the ways in which the mores of contemporary South Korean society
The Colour of Pomegranates
Floundering for some way to describe obtuse or complex art, critics often rely on the adjective “poetic”. It can come to mean nearly anything in
Ashes and Diamonds
Ashes and Diamonds/Popiól I diament (1959 Poland 103 mins) Prod Co: Zespól Felmowy “Kadr” Dir: Andrzej Wajda Scr: Jerzy Andrzejewski, Andrzej Wajda, from the novel
Camera Buff
Camera Buff/Amator (1979 Poland 117 mins) Prod Co: Film Polski/Zespol Filmowy “Tor” Prod: Wielislawa Piotrowska Dir: Krzysztof Kieslowski Scr: Krzysztof Kieslowski, Jerzy Stuhr Phot: Jacek
My Night at Maud’s
My Night at Maud’s/Ma nuit chez Maud (1969 France 110 mins) Source: ACMI Collections Prod Co: Les Films du Losange, et. al. Prod: Pierre Cottrell,
Der Letzte Mann (The Last Laugh)
Der Letzte Mann/The Last Laugh (1924 Germany 74 mins) Source: ScreenSound Australia Prod Co: UFA Prod: Erich Pommer Dir: F.W. Murnau Scr: Carl Mayer Phot:
Introduction to Black Girl
Black Girl/La noire de… (1966 Senegal 59 mins) Source: ACMI/NLA Prod Co: Filmi Domirev, Les Actualitès Françaises Prod: André Zwoboda Dir, Scr: Ousmane Sembene Phot: