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  • Features
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    • Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

      Raymond Bellour
      March 2018
      Issue 86
    • Ventura Pons interview

      “A Film is a Synthesis”: An Interview with Ventura Pons

      Raymond Bellour
      March 2018
      Issue 86
    • Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

      Raymond Bellour
      March 2018
      Issue 86
    • Roskam Feature Image

      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

      Raymond Bellour
      March 2018
      Issue 86
    more articles...
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    • Cultural and Political Exhaustion in Paolo Sorrentino’s The Great Beauty

      Raymond Bellour
      March 2014
      Feature Articles
      Issue 70
  • Festival Reports
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    • International Film Festival Rotterdam 2018

      Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

      Raymond Bellour
      March 2018
      Issue 86
    • AFI AFM 2017

      AFM/AFI FEST 2017: Magic Women, Haptic Men

      Raymond Bellour
      March 2018
      Issue 86
    • Ânûû-rû Âboro: The Festival of Peoples’ Cinema

      Raymond Bellour
      March 2018
      Issue 86
    • A Tale of Two Festivals: International Film Festival of India and Experimenta

      Raymond Bellour
      March 2018
      Issue 86
    more articles...
    Random
    • Building Networks in a Contested Space: DMZ International Documentary Film Festival 2014

      Raymond Bellour
      December 2014
      Festival Reports
      Issue 73
  • Book Reviews
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    • jean rollin

      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

      Raymond Bellour
      March 2018
      Issue 86
    • troubled everyday

      From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

      Raymond Bellour
      March 2018
      Issue 86
    • cinema hypothesis

      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

      Raymond Bellour
      March 2018
      Issue 86
    • slums on screen

      Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

      Raymond Bellour
      March 2018
      Issue 86
    more articles...
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    • Greek Cinema, Texts, Histories, Identities by Lydia Papadimitriou & Yannis Tzioumakis

      Raymond Bellour
      November 2012
      Book Reviews
      Issue 65
  • CTEQ
    Recent
    • Diary of a Chambermaid

      Diary of a Chambermaid

      Raymond Bellour
      March 2018
      Issue 86
    • Les Amants

      Les Amants

      Raymond Bellour
      March 2018
      Issue 86
    • bay of angels

      La Baie des Anges

      Raymond Bellour
      March 2018
      Issue 86
    • Eva (Joseph Losey, 1962)

      Raymond Bellour
      March 2018
      Issue 86
    more articles...
    Random
    • Carmen Comes Home

      Raymond Bellour
      March 2013
      Cinémathèque Annotations on Film
      Issue 66
  • Great Directors
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    • Chantal Akerman

      Chantal Akerman

      Raymond Bellour
      February 2018
      Issue 86
    • Sergei Eisenstein

      Sergei Eisenstein

      Raymond Bellour
      December 2017
      Issue 85
    • Max Ophuls

      Max Ophuls

      Raymond Bellour
      December 2017
      Issue 85
    • Lindsay Anderson

      Lindsay Anderson

      Raymond Bellour
      December 2017
      Issue 85
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    • Guy Maddin

      Raymond Bellour
      July 2003
      Great Directors
      Issue 27
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Author Raymond Bellour

Raymond Bellour

Raymond Bellour teaches at the École de Hautes Études en Sciences Sociales (EHESS) in Paris.

thumb image

The Quarrel of the Dispositifs: Reprise

Raymond Bellour
March 2018
Cinema and the Museum
Issue 86
In this scintillating, provocative piece – originally printed as a chapter in Raymond Bellour’s monumental work La Querelle des dispositifs (P.O.L., 2012), a collection of texts focusing on the “fatal...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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