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  • Features
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    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Rey Parla
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Rey Parla
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Rey Parla
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Rey Parla
      December 2018
      Issue 89
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    • Whitney Houston and Toni Erdmann

      I Learned to Depend on Me: On Whitney Houston and Toni Erdmann (Maren Ade, 2016)

      Rey Parla
      June 2017
      Feature Articles
      Issue 83
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      Rey Parla
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Rey Parla
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Rey Parla
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Rey Parla
      December 2018
      Issue 89
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      Political all the Way: the 62nd Sydney Film Festival

      Rey Parla
      September 2015
      Festival Reports
      Issue 76
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    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Rey Parla
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Rey Parla
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Rey Parla
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Rey Parla
      December 2018
      Issue 89
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      Of Myth and Madness: Mad Dog Morgan (Australian Screen Classics), by Jake Wilson

      Rey Parla
      December 2016
      Book Reviews
      Issue 81
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    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Rey Parla
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Rey Parla
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Rey Parla
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Rey Parla
      October 2018
      Issue 88
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      Rey Parla
      March 2013
      Cinémathèque Annotations on Film
      Issue 66
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      Rey Parla
      December 2018
      Issue 89
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      Rey Parla
      December 2018
      Issue 89
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      Rey Parla
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Rey Parla
      October 2018
      Issue 88
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    • Jackson, Peter

      Rey Parla
      May 2008
      Great Directors
      Issue 47
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Author Rey Parla

Rey Parla

Rey Parla is a filmmaker/interdisciplinary artist who has specialized in exploring abstraction in the moving image through experimental film and video within the tradition of Visual Music animation.

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There’s other Stuff than Art? An Interview with Michael Betancourt

Rey Parla
August 2007
Feature Articles
Issue 44
A stimulating discussion with Miami-based filmmaker and theoretician Michael Betancourt about his unique audio-visual experiments.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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