Senses of Cinema logo
Search
Subscribe

Subscribe to Senses of Cinema to receive news of our latest cinema journal.
Enter your email address below:

Submit
  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Richard Martin
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Richard Martin
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Richard Martin
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Richard Martin
      October 2019
      Issue 92
    more articles...
    Random
    • Hitchcock Psycho

      Shock, Horror, Spirit: Hitchcock’s Psycho (1960): Part Two

      Richard Martin
      December 2016
      Feature Articles
      Issue 81
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Richard Martin
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Richard Martin
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Richard Martin
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Richard Martin
      October 2019
      Issue 92
    more articles...
    Random
    • Locarno film festival review

      Despite (or With) the Politics… Work-Life and -Love Balances: The 68th Locarno Film Festival

      Richard Martin
      September 2015
      Festival Reports
      Issue 76
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Richard Martin
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Richard Martin
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Richard Martin
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Richard Martin
      July 2019
      Issue 91
    more articles...
    Random
    • Post-War Modernist Cinema and Philosophy

      Cinema’s Ontological Violence: Hamish Ford’s Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time

      Richard Martin
      July 2016
      Book Reviews
      Issue 79
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Richard Martin
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Richard Martin
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Richard Martin
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Richard Martin
      October 2019
      Issue 92
    more articles...
    Random
    • Konkurs

      Richard Martin
      July 2010
      Cinémathèque Annotations on Film
      Issue 55
  • Great Directors
    Recent
    • Fei Mu

      Richard Martin
      October 2019
      Issue 92
    • Huston, John

      Richard Martin
      July 2019
      Issue 91
    • Stone, Oliver

      Richard Martin
      July 2019
      Issue 91
    • Klapisch, Cédric

      Richard Martin
      March 2019
      Issue 90
    more articles...
    Random
    • Deren, Maya

      Richard Martin
      December 2002
      Great Directors
      Issue 23
  • Podcast
  • Support Senses
  • Shop
  • Subscribe
Can you spare a few dollars to help us keep publishing outstanding writing on cinema?

Support us by joining our Patreon community and get heaps of rewards like e-Zines & bonus podcast content!

Join up now >>

  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Past Issues
  • Special Dossiers
  • World Poll
  • Advertisers
  • Proposals
  • Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
  • Subscribe

Author Richard Martin

Richard Martin

Richard Martin is the author of The Architecture of David Lynch (Bloomsbury, 2014). He currently teaches at King’s College London and Tate Modern, and writes for the Tate Research Department. http://www.richardgmartin.org

thumb image

Be Young, Be Dope, Be Proud: The 58th BFI London Film Festival

Richard Martin
December 2014
Festival Reports
Issue 73
Debut films are often about youth, and about living on the edge. From The 400 Blows to Breathless, from Badlands to Kids, first features repeatedly channel the freedoms and frustrations of being young, via an...
thumb image

More Rapture! The Big Screen: The Story of the Movies and What They Did To Us by David Thomson

Richard Martin
September 2013
Book Reviews
Issue 68
When I was halfway through reading David Thomson’s new book, I saw Vincente Minnelli’s musical The Band Wagon (1953) in Potsdamer Platz, Berlin. It felt like a perfect David Thomson moment. The Band Wagon...
thumb image

The Uses of Guilt: The Cinema of Michael Haneke: Europe Utopia edited by Ben McCann and David Sorfa

Richard Martin
November 2012
Book Reviews
Issue 65
There’s a scene in Michael Haneke’s Code Unknown (2000) that epitomises both the brilliance and the frustrations that mark his entire body of work. It takes place on the Parisian Métro, where a woman...
thumb image

Designs for Life: David Lynch by Justus Nieland

Richard Martin
September 2012
Book Reviews
Issue 64
If Inland Empire, released in 2006, has proved one of the strangest films of the last decade, David Lynch’s activities since then have only increased the mystery surrounding its director. In recent years,...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

Webmaster and Administrator: Bradley Dixon

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff