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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Robert M. Stowe
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Robert M. Stowe
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Robert M. Stowe
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Robert M. Stowe
      October 2019
      Issue 92
    more articles...
    Random
    • Kubrick Creator: Alchemy in Stanley Kubrick's Films

      Robert M. Stowe
      September 2012
      Feature Articles
      Issue 64
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Robert M. Stowe
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Robert M. Stowe
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Robert M. Stowe
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Robert M. Stowe
      October 2019
      Issue 92
    more articles...
    Random
    • Our Beloved Month of October (or, Do the Hurch-Lurch!): The 46th Viennale – Vienna International Film Festival

      Robert M. Stowe
      April 2009
      Festival Reports
      Issue 50
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Robert M. Stowe
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Robert M. Stowe
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Robert M. Stowe
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Robert M. Stowe
      July 2019
      Issue 91
    more articles...
    Random
    • Third Time’s the Charm: Film Trilogies: New Critical Approaches by Claire Perkins and Constantine Verevis

      Robert M. Stowe
      June 2013
      Book Reviews
      Issue 67
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Robert M. Stowe
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Robert M. Stowe
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Robert M. Stowe
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Robert M. Stowe
      October 2019
      Issue 92
    more articles...
    Random
    • A Jester's Tale film review

      Any Way the Wind Blows: A Jester's Tale

      Robert M. Stowe
      June 2015
      Cinémathèque Annotations on Film
      Issue 75
  • Great Directors
    Recent
    • Fei Mu

      Robert M. Stowe
      October 2019
      Issue 92
    • Huston, John

      Robert M. Stowe
      July 2019
      Issue 91
    • Stone, Oliver

      Robert M. Stowe
      July 2019
      Issue 91
    • Klapisch, Cédric

      Robert M. Stowe
      March 2019
      Issue 90
    more articles...
    Random
    • Chaplin, Charles

      Robert M. Stowe
      March 2008
      Great Directors
      Issue 46
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Author Robert M. Stowe

Robert M. Stowe

Robert M. Stowe is Associate Professor of Psychiatry and Medicine (Neurology) at the University of British Columbia, Vancouver.

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Knife in the Head: German Social Realism Meets Cinema Verité

Robert M. Stowe
October 2011
Feature Articles
Issue 60
Neurologist and cinephile, Robert Stowe, looks at Reinhard Hauff’s 1979 political drama about a man recovering from brain trauma.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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