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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Robert von Dassanowsky
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Robert von Dassanowsky
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Robert von Dassanowsky
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Robert von Dassanowsky
      December 2018
      Issue 89
    more articles...
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    • Hubert Sauper interview

      On Colonialism, Access and Form: A Discussion with Hubert Sauper

      Robert von Dassanowsky
      June 2015
      Feature Articles
      Issue 75
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Robert von Dassanowsky
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Robert von Dassanowsky
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Robert von Dassanowsky
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Robert von Dassanowsky
      December 2018
      Issue 89
    more articles...
    Random
    • Hitler’s Hollywood (Rüdiger Suchsland, 2018)

      Confronting Austrian history at the Diagonale: Making Up for Lost Time

      Robert von Dassanowsky
      June 2018
      Festival Reports
      Issue 87
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Robert von Dassanowsky
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Robert von Dassanowsky
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Robert von Dassanowsky
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Robert von Dassanowsky
      December 2018
      Issue 89
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    Random
    • Penetrating Epstein: Jean Epstein: Critical Essays and New Translations by Sarah Keller and Jason N. Paul (eds.), and Une vie pour le cinéma: Jean Epstein by Joël Daire

      Robert von Dassanowsky
      March 2015
      Book Reviews
      Issue 74
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Robert von Dassanowsky
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Robert von Dassanowsky
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Robert von Dassanowsky
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Robert von Dassanowsky
      October 2018
      Issue 88
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    Random
    • L’Opéra-Mouffe

      Robert von Dassanowsky
      June 2014
      Cinémathèque Annotations on Film
      Issue 71
  • Great Directors
    Recent
    • Takahata, Isao

      Robert von Dassanowsky
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Robert von Dassanowsky
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Robert von Dassanowsky
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Robert von Dassanowsky
      October 2018
      Issue 88
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    • Novaro, María

      Robert von Dassanowsky
      December 2002
      Great Directors
      Issue 23
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Author Robert von Dassanowsky

Robert von Dassanowsky

Robert von Dassanowsky is Professor of German and Film Studies, director of the Film Studies Program at the University of Colorado, Colorado Springs, and an independent film producer. His cultural, literary and film criticism is widely published. He is the author of Austrian Cinema: A History, editor of New Austrian Cinema and the forthcoming Tarantino’s Inglourious Basterds: A Manipulation of Metacinema.

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Billy Wilder, Movie-Maker: Critical Essays on the Films edited by Karen McNally

Robert von Dassanowsky
June 2011
Book Reviews
Issue 59
Critical study of the oeuvre of Billy Wilder is still surprisingly scant almost a decade following his death. Rather than cogent analysis that reaches beyond the director’s often self-deprecating commentary,...
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You Know My Name: On Beginnings and Replications in the New Bond

Robert von Dassanowsky
May 2008
Feature Articles
Issue 47
The success of Casino Royale has radically re-energised and redefined perceptions of the long-standing 007 franchise. The authors offer some unexpected insights about the ever-developing James Bond stories.
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“You Wouldn’t Even Believe What Your Eyes Can See”: Cinema’s Messianism and Fascist Reflection in John Schlesinger’s The Day of the Locust

Robert von Dassanowsky
May 2006
Feature Articles
Issue 39
This 1975 adaptation of Nathaniel West’s celebrated novel has in course of time fallen into a state of anonymity. This article reassesses its languishing reputation and finds much of merit in the film’s thematic and visual treatment of the novel.
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Forst, Willi

Robert von Dassanowsky
May 2006
Great Directors
Issue 39
b. Wilhelm Anton Frohs b. 7 April, 1903, Vienna, Austria-Hungary d. 11 August, 1980, Vienna, Austria Filmography Select Bibliography Web Resources A specific blend of historical and...
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Kolm-Fleck, Louise

Robert von Dassanowsky
October 2004
Great Directors
Issue 33
b. Louise (aka Luise) Veltée b. August 1, 1873, Vienna, Austria-Hungary d. March 15, 1950, Vienna, Austria Filmography Select Bibliography Web Resources While France's Alice Guy's...

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