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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Rochelle Siemienowicz
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Rochelle Siemienowicz
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Rochelle Siemienowicz
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Rochelle Siemienowicz
      October 2019
      Issue 92
    more articles...
    Random
    • To Accept the Unacceptable: Reflections on Three Films by Teresa Villaverde

      Rochelle Siemienowicz
      December 2012
      Feature Articles
      Issue 65
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Rochelle Siemienowicz
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Rochelle Siemienowicz
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Rochelle Siemienowicz
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Rochelle Siemienowicz
      October 2019
      Issue 92
    more articles...
    Random
    • Of Art Cinema, its Discontents and its Triumphs: The 72nd Locarno Film Festival

      Rochelle Siemienowicz
      October 2019
      Festival Reports
      Issue 92
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Rochelle Siemienowicz
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Rochelle Siemienowicz
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Rochelle Siemienowicz
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Rochelle Siemienowicz
      July 2019
      Issue 91
    more articles...
    Random
    • Nollywood: The Video Phenomenon in Nigeria edited by Pierre Barrot translated by Lynn Taylor

      Rochelle Siemienowicz
      December 2009
      Book Reviews
      Issue 53
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Rochelle Siemienowicz
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Rochelle Siemienowicz
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Rochelle Siemienowicz
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Rochelle Siemienowicz
      October 2019
      Issue 92
    more articles...
    Random
    • Blood on the Rainbow: Jacques Demy and Une chambre en ville

      Rochelle Siemienowicz
      April 2010
      Cinémathèque Annotations on Film
      Issue 54
  • Great Directors
    Recent
    • Fei Mu

      Rochelle Siemienowicz
      October 2019
      Issue 92
    • Huston, John

      Rochelle Siemienowicz
      July 2019
      Issue 91
    • Stone, Oliver

      Rochelle Siemienowicz
      July 2019
      Issue 91
    • Klapisch, Cédric

      Rochelle Siemienowicz
      March 2019
      Issue 90
    more articles...
    Random
    • Varda, Agnès

      Rochelle Siemienowicz
      October 2002
      Great Directors
      Issue 22
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Author Rochelle Siemienowicz

Rochelle Siemienowicz

Rochelle Siemienowicz is a Melbourne writer, critic and film journalist. She has a Ph.D. in Australian Cinema (Thesis title: Australian Cinema, Autonomy and Globalisation) and is the former editor at the Australian Film Institute | Australian Academy of Cinema & Television Arts. She was the long-time film editor at The Big Issue magazine and currently reports for Screen Hub, reviews for SBS Film, and is the film columnist for Kill Your Darlings.

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Transnational Australian Cinema: Ethics in the Asian Diasporas by Olivia Khoo, Belinda Smaill, and Audrey Yue

Rochelle Siemienowicz
March 2014
Book Reviews
Issue 70
For those of us with an interest in Australian film, the idea of Asian Australian cinema might evoke a short list of names and titles, all from the very recent past. Examples might include Clara Law’s...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

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César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

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