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sally-shafto

Andalousie, mon amour

It all began in Khouribga: the 15th Festival du Cinéma Africain de Khouribga

“An African film is a miracle, like the rain.” – Youssef Ait Hamou “’No wind is favorable to a sailor who does not know what

Basilica

The Arab Spring and Maghrebin Cinema: The 6th Panorama des Cinémas du Maghreb, Saint Denis

“Ideas are on the street.” –Abu Othman Amro bnu Bahr al-Jahed (776 – 869) “The cinema is there to mend wounded souls.” – Egyptian filmmaker,

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Celebrating Amazigh Culture: The 5th National Festival of Amazigh Film

Organised by L’AMREC (Association marocaine de recherche et d’échanges culturels), (1) the 5th annual National Festival of Amazigh Film was held 15-18 December, 2010 at

View from hotel

Moroccan Cinema Alive: The 12th Festival National du Film, Tangier

“We are conscious of cinema’s role in society.” – Nour-Eddine Saïl, Director of the Centre Cinématographique Marocain Tangier: the city that inspired and attracted so

La Chambre obscure

Questerbert on Moullet: An Interview with Marie-Christine Questerbert

Student of philosophy, traveller, actress maudit and filmmaker, Marie-Christine Questerbert, who appeared in Moullet’s Une Aventure de Billy le Kid (1971) and Anatomy of a

(1)">On Straub-Huillet’s Une Visite au Louvre (1)

Sally Shafto’s introduction sets the context for the transcript to the Straub’s film that follows

Transcript to Straub & Huillet’s A Visit to the Louvre

Transcript of the dialogue, and description of visual and sound tracks to Jean-Marie Straub and Danièle Huillet’s 2004 film on Cezanne

Artistic Encounters: Jean-Marie Straub, Danièle Huillet and Paul Cézanne

The French painter is the subject of two films by the Straubs, Une Visite au Louvre and, more significantly, Cézanne. Sally Shafto looks at the

Luc Moullet, a Bootleg Filmmaker at the Centre Georges Pompidou

Luc Moullet is what the French call “un original”, an offbeat, quirky talent, who over a nearly fifty-year period has forged a unique filmography. Sally

Remembering Michel Fournier

This past January while in Paris I tried to contact Michel Fournier, Philippe Garrel’s legendary cameraman on six films, from Marie pour Mémoire (1968) to

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