Senses of Cinema logo
Search
Subscribe

Subscribe to Senses of Cinema to receive news of our latest cinema journal.
Enter your email address below:

Submit
  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Sarah Nichols
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Sarah Nichols
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Sarah Nichols
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Sarah Nichols
      October 2019
      Issue 92
    more articles...
    Random
    • Bad Lieutenant

      Abel Ferrara: Filming (on) the Wild Side (of New York)

      Sarah Nichols
      September 2013
      Feature Articles
      Issue 68
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Sarah Nichols
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Sarah Nichols
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Sarah Nichols
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Sarah Nichols
      October 2019
      Issue 92
    more articles...
    Random
    • Whatever Happens to Someone, Happens to Everyone: Film Mutations: Third Festival of Invisible Cinema

      Sarah Nichols
      April 2010
      Festival Reports
      Issue 54
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Sarah Nichols
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Sarah Nichols
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Sarah Nichols
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Sarah Nichols
      July 2019
      Issue 91
    more articles...
    Random
    • Cinema’s Baroque Flesh book review

      Concrete Passages: Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement, by Saige Walton

      Sarah Nichols
      March 2017
      Book Reviews
      Issue 82
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Sarah Nichols
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Sarah Nichols
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Sarah Nichols
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Sarah Nichols
      October 2019
      Issue 92
    more articles...
    Random
    • Framing the Heavy Weight of History: Yellow Earth

      Sarah Nichols
      May 2015
      Cinémathèque Annotations on Film
      Issue 74
  • Great Directors
    Recent
    • Fei Mu

      Sarah Nichols
      October 2019
      Issue 92
    • Huston, John

      Sarah Nichols
      July 2019
      Issue 91
    • Stone, Oliver

      Sarah Nichols
      July 2019
      Issue 91
    • Klapisch, Cédric

      Sarah Nichols
      March 2019
      Issue 90
    more articles...
    Random
    • Oliveira, Manoel de

      Sarah Nichols
      October 2018
      Great Directors
      Issue 88
  • Podcast
  • Support Senses
  • Shop
  • Subscribe
Can you spare a few dollars to help us keep publishing outstanding writing on cinema?

Support us by joining our Patreon community and get heaps of rewards like e-Zines & bonus podcast content!

Join up now >>

  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Past Issues
  • Special Dossiers
  • World Poll
  • Advertisers
  • Proposals
  • Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
  • Subscribe

Author Sarah Nichols

Sarah Nichols

Sarah Nichols is the author of the poetry chapbook The Country of No (Finishing Line Press, 2012) and a contributing writer for the online film journal desistfilm. Her CTEQ Annotation on Fritz Lang’s Scarlet Street appeared in 2008.

thumb image

Private Confessions

Sarah Nichols
September 2013
Cinémathèque Annotations on Film
Issue 70
In preparation for writing about Liv Ullmann’s Enskilda Samtal (Private Confessions, 1996), I took the opportunity to watch Ingmar Bergman’s Nattvardsgästerna (Winter Light, 1963) and Scener ur ett...
article placeholder

Where Dreams Go to Die: Scarlet Street

Sarah Nichols
August 2008
Cinémathèque Annotations on Film
Issue 48
Scarlet Street (1945 USA 102 mins) Prod Co: Diana Productions/Universal Prod, Dir: Fritz Lang Scr: Dudley Nichols, based upon the novel and play La Chienne, by Georges de la Fouchardière in...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

Webmaster and Administrator: Bradley Dixon

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff