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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Sharon Jane Mee
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Sharon Jane Mee
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Sharon Jane Mee
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Sharon Jane Mee
      October 2019
      Issue 92
    more articles...
    Random
    • Michelangelo Antonioni: The Truth about The Passenger

      Sharon Jane Mee
      March 2015
      Feature Articles
      Issue 74
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Sharon Jane Mee
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Sharon Jane Mee
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Sharon Jane Mee
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Sharon Jane Mee
      October 2019
      Issue 92
    more articles...
    Random
    • Looking Forward and Looking Back: The 20th Jeonju International Film Festival

      Sharon Jane Mee
      July 2019
      Festival Reports
      Issue 91
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Sharon Jane Mee
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Sharon Jane Mee
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Sharon Jane Mee
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Sharon Jane Mee
      July 2019
      Issue 91
    more articles...
    Random
    • A Feminine Cinematics: Luce Irigaray, Women and Film by Caroline Bainbridge

      Sharon Jane Mee
      December 2009
      Book Reviews
      Issue 53
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Sharon Jane Mee
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Sharon Jane Mee
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Sharon Jane Mee
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Sharon Jane Mee
      October 2019
      Issue 92
    more articles...
    Random
    • Doomed Love

      Sharon Jane Mee
      June 2012
      Cinémathèque Annotations on Film
      Issue 63
  • Great Directors
    Recent
    • Fei Mu

      Sharon Jane Mee
      October 2019
      Issue 92
    • Huston, John

      Sharon Jane Mee
      July 2019
      Issue 91
    • Stone, Oliver

      Sharon Jane Mee
      July 2019
      Issue 91
    • Klapisch, Cédric

      Sharon Jane Mee
      March 2019
      Issue 90
    more articles...
    Random
    • Bava, Mario

      Sharon Jane Mee
      April 2004
      Great Directors
      Issue 31
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Author Sharon Jane Mee

Sharon Jane Mee

Sharon Jane Mee is an Adjunct Lecturer at the University of New South Wales. She gained her PhD in 2017 for a thesis that conceptualises the cinematic pulse in horror cinema using theorists Jean-François Lyotard, Gilles Deleuze, and Georges Bataille.

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The Aesthetic Mobilities of Lyotard’s Film-Philosophy: Acinemas: Lyotard’s Philosophy of Film, by Graham Jones and Ashley Woodward (eds.)

Sharon Jane Mee
October 2018
Book Reviews
Issue 88
Acinemas: Lyotard’s Philosophy of Film is an anthology compiled and edited by Graham Jones and Ashley Woodward from papers presented at the “Acinemas: Aesthetics and Film in the Philosophy of...

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