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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Stayci Taylor
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Stayci Taylor
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Stayci Taylor
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Stayci Taylor
      October 2019
      Issue 92
    more articles...
    Random
    • On the Subjective Æsthetic of Adrian Lyne’s Lolita

      Stayci Taylor
      September 2009
      Feature Articles
      Issue 52
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Stayci Taylor
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Stayci Taylor
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Stayci Taylor
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Stayci Taylor
      October 2019
      Issue 92
    more articles...
    Random
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Stayci Taylor
      December 2018
      Festival Reports
      Issue 89
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Stayci Taylor
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Stayci Taylor
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Stayci Taylor
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Stayci Taylor
      July 2019
      Issue 91
    more articles...
    Random
    • Jesus Franco

      Francomania Exposed!: Murderous Passions: The Delirious Cinema of Jesús Franco by Stephen Thrower

      Stayci Taylor
      September 2016
      Book Reviews
      Issue 80
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Stayci Taylor
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Stayci Taylor
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Stayci Taylor
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Stayci Taylor
      October 2019
      Issue 92
    more articles...
    Random
    • Provincial Actors

      Stayci Taylor
      October 2011
      Cinémathèque Annotations on Film
      Issue 60
  • Great Directors
    Recent
    • Fei Mu

      Stayci Taylor
      October 2019
      Issue 92
    • Huston, John

      Stayci Taylor
      July 2019
      Issue 91
    • Stone, Oliver

      Stayci Taylor
      July 2019
      Issue 91
    • Klapisch, Cédric

      Stayci Taylor
      March 2019
      Issue 90
    more articles...
    Random
    • Haneke, Michael

      Stayci Taylor
      October 2003
      Great Directors
      Issue 28
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Author Stayci Taylor

Stayci Taylor

Dr Stayci Taylor is an Industry Fellow with the Media program in RMIT University’s School of Media and Communication. She is co-editor of the Journal of Screenwriting’s special issue on Script Development, and is further published in such journals as Celebrity Studies, New Writing and TEXT. Stayci teaches screenwriting at RMIT and continues to work as a screenwriter and script consultant in film and television.

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Screenwriting Melbourne/s: The Challenges of Re-presenting and Re-creating Melbourne Within a Screenplay’s Flipped-Reality Narrative

Stayci Taylor
November 2017
Screening Melbourne
Issue 85
This article argues that establishing the screen city begins with the script, and the author makes a case study of her own screenplay, set in an alternative Melbourne where gender hierarchies are reversed....
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In Her Shoes: Flipped-realities and Female Perspectives in Comedy Screenwriting

Stayci Taylor
September 2016
New Directions in Screen Studies
Issue 80
This article examines flipped-reality screenwriting, particularly in comedy form, and its ability to destabilise the ‘norms’ and ‘universals’ of mainstream film. Flipped-reality is one particular...

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