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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Stephen Larson
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Stephen Larson
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Stephen Larson
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Stephen Larson
      December 2018
      Issue 89
    more articles...
    Random
    • Elle

      A French Connection: Paul Verhoeven’s Elle in Tandem with Jean Renoir’s The Rules of the Game

      Stephen Larson
      December 2016
      Feature Articles
      Issue 81
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Stephen Larson
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Stephen Larson
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Stephen Larson
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Stephen Larson
      December 2018
      Issue 89
    more articles...
    Random
    • A Double World of Undigested Memory: The 57th Sydney Film Festival

      Stephen Larson
      July 2010
      Festival Reports
      Issue 55
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Stephen Larson
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Stephen Larson
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Stephen Larson
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Stephen Larson
      December 2018
      Issue 89
    more articles...
    Random
    • Making Sense of Censorship: Censorium: Cinema and the Open Edge of Mass Publicity, by William Mazzarella

      Stephen Larson
      June 2014
      Book Reviews
      Issue 71
  • CTEQ
    Recent
    • Fractured images and tainted dreams: Sergio Leone’s Once upon a Time in America

      Stephen Larson
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Stephen Larson
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Stephen Larson
      October 2018
      Issue 88
    • A City in Transition in Taipei Story (Edward Yang, 1985)

      Stephen Larson
      October 2018
      Issue 88
    more articles...
    Random
    • The Wages of Fear

      Stephen Larson
      November 2011
      Cinémathèque Annotations on Film
      Issue 61
  • Great Directors
    Recent
    • Takahata, Isao

      Stephen Larson
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Stephen Larson
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Stephen Larson
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Stephen Larson
      October 2018
      Issue 88
    more articles...
    Random
    • Melville, Jean-Pierre

      Stephen Larson
      October 2002
      Great Directors
      Issue 22
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Author Stephen Larson

Stephen Larson

Stephen Larson is a PhD student in the Communication, Rhetoric, and Digital Media program at North Carolina State University where he concentrates on film genres and directorial styles.

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Kansas: Towards a Rhetoric of the 1980s Farm Debt Crisis and the New Depression Film

Stephen Larson
October 2011
Feature Articles
Issue 60
How much damage did the policies of the Reagan administration inflict on American rural communities? Stephen Larson provides the answers.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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