Author Steven Marsh

Steven Marsh

Steven Marsh is Assistant Professor of Spanish Cultural Studies at the University of Illinois, Chicago. Previously, he lived in Madrid where he still spends much of the year. He is the author of Popular Spanish Film Under Franco: Comedy and the Weakening of the State (Palgrave, 2005) and one of the writers of the forthcoming collaborative volume Cinema and the Mediation of Everyday Life: An Oral History of Cinema Going in 1940s and 1950s Spain. He is co-editor of the anthology of essays entitled Gender and Spanish Cinema (Berg, 2004).

Work in Progress

Steven Marsh

April 2009

Cinémathèque Annotations on Film

Issue 50

Work in Progress/En construcción (2001 Spain 125 mins) Prod Co: Ovideo TV S.A. Dir, Scr: José Luis Guerín Phot: Alex Gaultier Ed: Mercedes Álvarez, Núria Esquerra Work in Progress (En...

Almodóvar, Pedro

Steven Marsh

July 2006

Great Directors

Issue 40

b. September 25, 1949, Calzada de Calatrava, Spain Filmography Select Bibliography Articles in Senses Web Resources Pedro Almodóvar is the cultural symbol par excellence of the restoration of...

Berlanga, Luis García

Steven Marsh

March 2003

Great Directors

Issue 25

b. June 12, 1921, Valencia, Spain d. November 13, 2010, Madrid, Spain filmography bibliography web resources Luis García Berlanga spearheaded the dramatic transformation that Spanish cinema...

The lecturer’s legacy: In memory of Professor Peter Wollen

American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

“Everything is dead but the motor still turns”: An Interview with Albert Serra

Korean Cinema in the Shadow of Parasite: The 24th Busan International Film Festival

Dispatch from Reykjavík: Hot Films at a Cool Festival

StopTrik from Head to Toe and the Eisenstein International Network

About the Cliché in Films, or the Opportunity for a New Consciousness at a German Film Festival: A Report on the FilmFest Hamburg

The Spectacle of Place: Multinational Cinema at the Sydney Film Festival

This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

“Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

Tertium Datur: The Cinema of Alexander Sokurov by Jeremi Szaniawski

Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

“Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

The Colour of Pomegranates

Fei Mu

Huston, John

Stone, Oliver

Klapisch, Cédric

Ingram, Rex

Author Steven Marsh

Steven Marsh

Work in Progress

Almodóvar, Pedro

Berlanga, Luis García