Author Steven Marsh

Steven Marsh

Steven Marsh is Assistant Professor of Spanish Cultural Studies at the University of Illinois, Chicago. Previously, he lived in Madrid where he still spends much of the year. He is the author of Popular Spanish Film Under Franco: Comedy and the Weakening of the State (Palgrave, 2005) and one of the writers of the forthcoming collaborative volume Cinema and the Mediation of Everyday Life: An Oral History of Cinema Going in 1940s and 1950s Spain. He is co-editor of the anthology of essays entitled Gender and Spanish Cinema (Berg, 2004).

Work in Progress

Steven Marsh

April 2009

Cinémathèque Annotations on Film

Issue 50

Work in Progress/En construcción (2001 Spain 125 mins) Prod Co: Ovideo TV S.A. Dir, Scr: José Luis Guerín Phot: Alex Gaultier Ed: Mercedes Álvarez, Núria Esquerra Work in Progress (En...

Almodóvar, Pedro

Steven Marsh

July 2006

Great Directors

Issue 40

b. September 25, 1949, Calzada de Calatrava, Spain Filmography Select Bibliography Articles in Senses Web Resources Pedro Almodóvar is the cultural symbol par excellence of the restoration of...

Berlanga, Luis García

Steven Marsh

March 2003

Great Directors

Issue 25

b. June 12, 1921, Valencia, Spain d. November 13, 2010, Madrid, Spain filmography bibliography web resources Luis García Berlanga spearheaded the dramatic transformation that Spanish cinema...

The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

Audience and Performance in Kid Auto Races at Venice

Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

Reasoned Arguments: A Conversation with Frederick Wiseman about At Berkeley

#Youmustsee: The 2018 Adelaide International Film Festival

Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

Ambling Along The Long Horizon of History: The 24^th Il Cinema Ritrovato

Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

Flowering Blood: The Cinema of Takeshi Kitano, by Sean Redmond

See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

Hail (Amiel Courtin-Wilson, 2011)

In the Mood for Love

Takahata, Isao

Dovzhenko, Alexander

Weerasethakul, Apichatpong

Oliveira, Manoel de

Loach, Ken

Author Steven Marsh

Steven Marsh

Work in Progress

Almodóvar, Pedro

Berlanga, Luis García