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	<title>Senses of Cinema &#187; Tag Gallagher</title>
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	<link>http://sensesofcinema.com</link>
	<description>Issue 62</description>
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		<title>Brother Feeney — Francis Ford</title>
		<link>http://sensesofcinema.com/2009/feature-articles/brother-feeney-francis-ford/</link>
		<comments>http://sensesofcinema.com/2009/feature-articles/brother-feeney-francis-ford/#comments</comments>
		<pubDate>Wed, 30 Dec 2009 02:00:28 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 53]]></category>
		<category><![CDATA[Francis Ford]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=375</guid>
		<description><![CDATA[Elder brother to John Ford, Francis Ford had a long and distinguished career – as actor, director, writer, producer – in his own right. His influence on the younger, and more famous, Ford was far more complex than first imagined]]></description>
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		</item>
		<item>
		<title>Why Samuel Fuller?</title>
		<link>http://sensesofcinema.com/2009/feature-articles/samuel-fuller-tag-gallagher/</link>
		<comments>http://sensesofcinema.com/2009/feature-articles/samuel-fuller-tag-gallagher/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 12:32:39 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 50]]></category>
		<category><![CDATA[Samuel Fuller]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2531</guid>
		<description><![CDATA[The recent DVD release of <em>White Dog</em> gives Tag Gallagher cause to take stock of Fuller’s career and ponder what exactly it was that set him apart of other directors]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chains of Dreams: Carl Th. Dreyer</title>
		<link>http://sensesofcinema.com/2007/feature-articles/carl-dreyer/</link>
		<comments>http://sensesofcinema.com/2007/feature-articles/carl-dreyer/#comments</comments>
		<pubDate>Sun, 25 Nov 2007 06:36:52 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 45]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2820</guid>
		<description><![CDATA[“Are the characters responsible for the emotions which destroy them? This is a secret that belongs to the heart and is the constant wonder of <em>Day of Wrath</em>.” With remarkable precision, Tag Gallagher extracts the passions that lie at the heart of Dreyer’s films]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Straub Anti-Straub</title>
		<link>http://sensesofcinema.com/2007/feature-articles/costa-straub-huillet/</link>
		<comments>http://sensesofcinema.com/2007/feature-articles/costa-straub-huillet/#comments</comments>
		<pubDate>Sat, 12 May 2007 04:54:10 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 43]]></category>
		<category><![CDATA[Pedro Costa]]></category>
		<category><![CDATA[Straub-Huillet]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2863</guid>
		<description><![CDATA[Tag Gallagher notes that Pedro Costa describes his film on Danièle Huillet and Jean-Marie Straub, <em>Où gît votre sourire enfoui?</em>, as “anti-Straubian”. Gallagher offers a vibrant discussion of Costa’s cinema via the Straubs, and the Straubs’ cinema via Costa’s]]></description>
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		<title>How to Share a Hill</title>
		<link>http://sensesofcinema.com/2007/feature-articles/king-vidor-andrew-wyeth/</link>
		<comments>http://sensesofcinema.com/2007/feature-articles/king-vidor-andrew-wyeth/#comments</comments>
		<pubDate>Sat, 12 May 2007 04:44:23 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 43]]></category>
		<category><![CDATA[King Vidor]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2862</guid>
		<description><![CDATA[Illuminating discussion of the æsthetic and philosophical connections between King Vidor and the renowned American painter Andrew Wyeth]]></description>
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		<slash:comments>0</slash:comments>
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		<title>American Triptych: Vidor, Hawks and Ford</title>
		<link>http://sensesofcinema.com/2007/42/vidor-hawks-ford/</link>
		<comments>http://sensesofcinema.com/2007/42/vidor-hawks-ford/#comments</comments>
		<pubDate>Tue, 13 Feb 2007 06:53:44 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Issue 42]]></category>
		<category><![CDATA[The Moral of the Auteur Theory]]></category>
		<category><![CDATA[Howard Hawks]]></category>
		<category><![CDATA[John Ford]]></category>
		<category><![CDATA[King Vidor]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2875</guid>
		<description><![CDATA[Three legendary classical directors are put under the spotlight, and the results of Gallagher’s analysis are always illuminating and surprising]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Passage: John Ford’s Young Mr. Lincoln</title>
		<link>http://sensesofcinema.com/2006/39/young_mr_lincoln/</link>
		<comments>http://sensesofcinema.com/2006/39/young_mr_lincoln/#comments</comments>
		<pubDate>Fri, 05 May 2006 13:10:53 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Cinema and the Pictorial]]></category>
		<category><![CDATA[Issue 39]]></category>
		<category><![CDATA[John Ford]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2924</guid>
		<description><![CDATA[Noted Ford scholar Tag Gallagher casts his gaze over this well worn 1939 classic and discovers further treasures in Ford’s poetic vision]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lacrimae Rerum Materialized</title>
		<link>http://sensesofcinema.com/2005/feature-articles/straubs/</link>
		<comments>http://sensesofcinema.com/2005/feature-articles/straubs/#comments</comments>
		<pubDate>Thu, 20 Oct 2005 18:38:00 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 37]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4579</guid>
		<description><![CDATA[An exploration of the Straubs' majestic œuvre, countering much of the received dogma that has surrounded perception of their work]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>White Melodrama: Douglas Sirk</title>
		<link>http://sensesofcinema.com/2005/feature-articles/sirk-2/</link>
		<comments>http://sensesofcinema.com/2005/feature-articles/sirk-2/#comments</comments>
		<pubDate>Fri, 22 Jul 2005 02:41:01 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 36]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4655</guid>
		<description><![CDATA[An insightful reappraisal of the æsthetics of the great Hollywood director]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2005/feature-articles/sirk-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Renoir and the Scandal of “First Love” or The Perils of Catherine</title>
		<link>http://sensesofcinema.com/2005/feature-articles/renoir_scandal/</link>
		<comments>http://sensesofcinema.com/2005/feature-articles/renoir_scandal/#comments</comments>
		<pubDate>Tue, 08 Feb 2005 06:38:22 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 34]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4659</guid>
		<description><![CDATA[For Renoir, “first love” is an attitude toward life, in all its beauty and complexity]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2005/feature-articles/renoir_scandal/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Making Reality</title>
		<link>http://sensesofcinema.com/2004/feature-articles/rossellini_television/</link>
		<comments>http://sensesofcinema.com/2004/feature-articles/rossellini_television/#comments</comments>
		<pubDate>Mon, 26 Jul 2004 08:19:05 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 32]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4627</guid>
		<description><![CDATA[The “amazing grace” of Rossellini's historical TV films]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2004/feature-articles/rossellini_television/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ford Till ’47</title>
		<link>http://sensesofcinema.com/2004/feature-articles/john_ford_till_47/</link>
		<comments>http://sensesofcinema.com/2004/feature-articles/john_ford_till_47/#comments</comments>
		<pubDate>Thu, 22 Apr 2004 22:11:03 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 31]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4660</guid>
		<description><![CDATA[“The essential Ford composition is a person acting freely within a geometric space,” writes Gallagher in this close look at the first half of a great and complex career]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Swine who Rewrote F. Scott Fitzgerald: Joseph L. Mankiewicz as Producer</title>
		<link>http://sensesofcinema.com/2003/feature-articles/joseph_mankiewicz/</link>
		<comments>http://sensesofcinema.com/2003/feature-articles/joseph_mankiewicz/#comments</comments>
		<pubDate>Sun, 05 Oct 2003 07:10:34 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 28]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4621</guid>
		<description><![CDATA[As a producer for MGM, Mankiewicz put his signature on films by a variety of directors – not necessarily for the better]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2003/feature-articles/joseph_mankiewicz/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ford Rises from the Dead. Again.</title>
		<link>http://sensesofcinema.com/2003/feature-articles/john_ford_rises/</link>
		<comments>http://sensesofcinema.com/2003/feature-articles/john_ford_rises/#comments</comments>
		<pubDate>Thu, 22 May 2003 06:58:09 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 26]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4619</guid>
		<description><![CDATA[John Ford's early film, <em>Bucking Broadway</em>, was recently 'found' in Paris and later restored. Ford expert, Tag Gallagher appraises the restoration]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2003/feature-articles/john_ford_rises/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hitchcock, Machines, and Us</title>
		<link>http://sensesofcinema.com/2003/24/alfred-hitchcock/hitch_machines/</link>
		<comments>http://sensesofcinema.com/2003/24/alfred-hitchcock/hitch_machines/#comments</comments>
		<pubDate>Fri, 24 Jan 2003 21:57:00 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Issue 24]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4009</guid>
		<description><![CDATA[A probing examination into Hitchcock's cinema and its pull between the expressionist and the formalist/conceptual]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2003/24/alfred-hitchcock/hitch_machines/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Max Ophuls: A New Art – But Who Notices?</title>
		<link>http://sensesofcinema.com/2002/feature-articles/ophuls/</link>
		<comments>http://sensesofcinema.com/2002/feature-articles/ophuls/#comments</comments>
		<pubDate>Fri, 04 Oct 2002 00:55:38 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 22]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4666</guid>
		<description><![CDATA[Where cinema becomes music, entwining emotion and movement, Ophuls allows his female characters to hold centre stage]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2002/feature-articles/ophuls/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Raoul Walsh</title>
		<link>http://sensesofcinema.com/2002/great-directors/walsh/</link>
		<comments>http://sensesofcinema.com/2002/great-directors/walsh/#comments</comments>
		<pubDate>Fri, 19 Jul 2002 10:11:00 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Great Directors]]></category>
		<category><![CDATA[Issue 21]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4680</guid>
		<description><![CDATA[b. March 11, 1887, New York, New York, USA. d. December 31, 1980, Simi Valley, California, USA. filmography bibliography articles in Senses web resources &#8220;Here’s to girls and gunpowder!&#8221; —Gregory Peck in The World in His Arms (1952). When Peter Bogdanovich was interviewing Raoul Walsh and mentioned Miriam Cooper, with whom Walsh had made 18 ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2002/great-directors/walsh/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Josef von Sternberg</title>
		<link>http://sensesofcinema.com/2002/feature-articles/sternberg/</link>
		<comments>http://sensesofcinema.com/2002/feature-articles/sternberg/#comments</comments>
		<pubDate>Thu, 09 Jun 2011 10:38:43 +0000</pubDate>
		<dc:creator>Tag Gallagher</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 19]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=6291</guid>
		<description><![CDATA[A broad account of Sternberg's career followed by a perceptive and engaging discussion of the key themes and philosophy of his cinema, with focus on his rarely seen, last film, <em>The Saga of Anatahan</em]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2002/feature-articles/sternberg/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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