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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Tammy Kim
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Tammy Kim
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Tammy Kim
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Tammy Kim
      October 2019
      Issue 92
    more articles...
    Random
    • Three Films by Roberto Rossellini Starring Ingrid Bergman: The Criterion Edition of Stromboli, Europe ’51 and Journey to Italy

      Tammy Kim
      December 2013
      Feature Articles
      Issue 69
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Tammy Kim
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Tammy Kim
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Tammy Kim
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Tammy Kim
      October 2019
      Issue 92
    more articles...
    Random
    • Ship Without a Rudder: The 39th International Film Festival Rotterdam

      Tammy Kim
      April 2010
      Festival Reports
      Issue 54
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Tammy Kim
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Tammy Kim
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Tammy Kim
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Tammy Kim
      July 2019
      Issue 91
    more articles...
    Random
    • Millennial Cinema: Memory in Global Film. Ed. Amresh Sinha and Terence McSweeney.

      Tammy Kim
      March 2014
      Book Reviews
      Issue 70
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Tammy Kim
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Tammy Kim
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Tammy Kim
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Tammy Kim
      October 2019
      Issue 92
    more articles...
    Random
    • Nosferatu The Vampyre

      Nosferatu The Vampyre (Werner Herzog, 1979)

      Tammy Kim
      March 2016
      Cinémathèque Annotations on Film
      Issue 78
  • Great Directors
    Recent
    • Fei Mu

      Tammy Kim
      October 2019
      Issue 92
    • Huston, John

      Tammy Kim
      July 2019
      Issue 91
    • Stone, Oliver

      Tammy Kim
      July 2019
      Issue 91
    • Klapisch, Cédric

      Tammy Kim
      March 2019
      Issue 90
    more articles...
    Random
    • Mankiewicz, Joseph L.

      Tammy Kim
      April 2005
      Great Directors
      Issue 35
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Author Tammy Kim

Tammy Kim

Tammy Kim is a writer, social-justice lawyer, and Adjunct Professor at the Cooper Union. She resides in Brooklyn and holds degrees from Yale and NYU.

thumb image

On Reality and Imagination: An Interview with Documentarian Dai Sil Kim-Gibson

Tammy Kim
June 2011
Feature Articles
Issue 59
Earlier this year, the Korean American Film Festival in New York held a retrospective of Kim-Gibson’s work. In this interview she discusses politics, art and the documentary form.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

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