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  • Features
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    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Tan Xing Long Ian
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Tan Xing Long Ian
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Tan Xing Long Ian
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Tan Xing Long Ian
      October 2019
      Issue 92
    more articles...
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    • Albert Serra Alexander Sokurov

      “Whose death, whose power?”: Crystal images and the political unconscious in the films of Albert Serra and Alexander Sokurov

      Tan Xing Long Ian
      March 2017
      Feature Articles
      Issue 82
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Tan Xing Long Ian
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Tan Xing Long Ian
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Tan Xing Long Ian
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Tan Xing Long Ian
      October 2019
      Issue 92
    more articles...
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    • Berlinale film festival review

      Berlinale 2016: Perspektive Deutsches Kino

      Tan Xing Long Ian
      March 2016
      Festival Reports
      Issue 78
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Tan Xing Long Ian
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Tan Xing Long Ian
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Tan Xing Long Ian
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Tan Xing Long Ian
      July 2019
      Issue 91
    more articles...
    Random
    • Subjectivity, Spectatorship and Social Change: The Act of Documenting: Documentary Film in the 21st Century, by Brian Winston, Gail Vanstone and Wang Chi

      Tan Xing Long Ian
      June 2018
      Book Reviews
      Issue 87
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Tan Xing Long Ian
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Tan Xing Long Ian
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Tan Xing Long Ian
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Tan Xing Long Ian
      October 2019
      Issue 92
    more articles...
    Random
    • Jean-Pierre Melville’s Quand tu liras cette lettre: The Novice and the Homme Fatale Amidst Moral Decay in Postwar France

      Tan Xing Long Ian
      April 2015
      Cinémathèque Annotations on Film
      Issue 74
  • Great Directors
    Recent
    • Fei Mu

      Tan Xing Long Ian
      October 2019
      Issue 92
    • Huston, John

      Tan Xing Long Ian
      July 2019
      Issue 91
    • Stone, Oliver

      Tan Xing Long Ian
      July 2019
      Issue 91
    • Klapisch, Cédric

      Tan Xing Long Ian
      March 2019
      Issue 90
    more articles...
    Random
    • Cox, Alex

      Tan Xing Long Ian
      August 2008
      Great Directors
      Issue 48
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Author Tan Xing Long Ian

Tan Xing Long Ian

Tan Xing Long Ian is a Singapore based teacher and freelance writer.

thumb image

Tarrying With the Nothing: Asking Anew Heidegger’s Question of Being in the cinema of Bela Tarr

Tan Xing Long Ian
June 2014
Feature Articles
Issue 71
Martin Heidegger begins Being and Time with a question that seeks, in its very repetition, to return philosophical questioning to its foundation: “Do we in our time have an answer to the question of what we...

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