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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Tara Forrest
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Tara Forrest
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Tara Forrest
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Tara Forrest
      October 2019
      Issue 92
    more articles...
    Random
    • Sounds from the City in Film Noir

      Tara Forrest
      April 2012
      Feature Articles
      Issue 62
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Tara Forrest
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Tara Forrest
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Tara Forrest
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Tara Forrest
      October 2019
      Issue 92
    more articles...
    Random
    • Kinshasa Makambo (Dieudo Hamadi, 2018)

      Breaking Down Borders in the Midwest: True/False 2018

      Tara Forrest
      June 2018
      Festival Reports
      Issue 87
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Tara Forrest
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Tara Forrest
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Tara Forrest
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Tara Forrest
      July 2019
      Issue 91
    more articles...
    Random
    • Angela Dalle Vacche (ed), Film, Art, New Media: Museum without Walls?

      Tara Forrest
      March 2013
      Book Reviews
      Issue 66
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Tara Forrest
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Tara Forrest
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Tara Forrest
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Tara Forrest
      October 2019
      Issue 92
    more articles...
    Random
    • The Docks of New York

      Tara Forrest
      March 2012
      Cinémathèque Annotations on Film
      Issue 62
  • Great Directors
    Recent
    • Fei Mu

      Tara Forrest
      October 2019
      Issue 92
    • Huston, John

      Tara Forrest
      July 2019
      Issue 91
    • Stone, Oliver

      Tara Forrest
      July 2019
      Issue 91
    • Klapisch, Cédric

      Tara Forrest
      March 2019
      Issue 90
    more articles...
    Random
    • Franklin, Richard

      Tara Forrest
      July 2005
      Great Directors
      Issue 36
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Author Tara Forrest

Tara Forrest

Tara Forrest teaches at the University of Technology, Sydney, and is currently working on a PhD in the School of Theatre, Film and Dance at the University of New South Wales.

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Tsai Ming-Liang by Jean-Pierre Rehm, Olivier Joyard, and Danièle Rivière

Tara Forrest
May 2002
Book Reviews
Issue 20 Issue 20
In the opening article of the first book to date dedicated to the work of Taiwan-based filmmaker Tsai Ming-Liang, Jean-Pierre Rehm claims that the title of the director's fourth feature, The Hole (1998),...

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