the-editors
Festival Reports
Contents Jorge Mourinha DocLisboa Pierce Conran on Busan Michael Laff on Busan Daniel Fairfax and Joshua Sperling on New York Pamela Cohn on CPH:DOX Bérénice Reynaud
Cinémathèque Annotations on Film
José Sarmiento on The Battle of Chile Christopher Sharrett on Nostalgia for the Light Louise Sheedy on Salvador Allende Lee Hill on The Pinochet Case
Book Reviews
Contents Nicholas Godfrey on The long game: Conversations with independent iconoclasts Roger Corman, George A. Romero, and Charles Burnett Douglas Gomery on America’s Corporate Art:
Welcome to Issue 64 of our journal
He seemed immortal, Chris Marker. For so long the basic empirical data of his life – his name, date and place of birth, his private
Features
Chris Marker Special Dossier: My Letter from Siberia by Murray Pomerance Séance “C.M.” by Gavin Keeney Montage as Resonance: Chris Marker and the Dialectical Image by Daniel
Key Moments in Australian Cinema
Contents: Luke Buckmaster on Dead End Drive-In Kit Harvey on Red Hill Lesley Speed on Ants in His Pants Adrian Danks on The Overlanders Stephen
Festival Reports
Contents: Jorge Mourinha on Vila do Conde International Short Film Festival Sally Shafto on Khouribga Bill Mousoulis on Karlovy Vary Alison Frank on New Horizons
Cinémathèque Annotations on Film
Contents: Tony Williams on The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks Shari Kizirian on The Girl with the Hat Box
Book Reviews
Contents: Mary Harrod on Richard Linklater Mike Walsh on The Shadowcatchers: A History of Cinematography in Australia Richard Martin on David Lynch Todd Herzog on
Features
Contents: “Yes, We Must Improve Ourselves”: Damsels in Distress by Peter Tonguette April and August: Moonrise Kingdom by Max Nelson Blood from a Stone: Go Go Tales by Murray Pomerance Pure West: Drive,