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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Valérie Massadian
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Valérie Massadian
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Valérie Massadian
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Valérie Massadian
      October 2019
      Issue 92
    more articles...
    Random
    • Feed Me Grapes

      Valérie Massadian
      October 2010
      Feature Articles
      Issue 56
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Valérie Massadian
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Valérie Massadian
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Valérie Massadian
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Valérie Massadian
      October 2019
      Issue 92
    more articles...
    Random
    • The Holy Girl (Lucrecia Martel, 2004)

      Conjuring Ghosts: The 15th IndieLisboa

      Valérie Massadian
      June 2018
      Festival Reports
      Issue 87
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Valérie Massadian
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Valérie Massadian
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Valérie Massadian
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Valérie Massadian
      July 2019
      Issue 91
    more articles...
    Random
    • Showing Australia itself: Australian Documentary: History, Practices, and Genres by Trish Fitzsimons, Pat Laughren, and Dugald Williamson

      Valérie Massadian
      September 2012
      Book Reviews
      Issue 64
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Valérie Massadian
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Valérie Massadian
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Valérie Massadian
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Valérie Massadian
      October 2019
      Issue 92
    more articles...
    Random
    • The Discreet Charm of the Bourgeoisie

      Valérie Massadian
      December 2013
      Cinémathèque Annotations on Film
      Issue 70
  • Great Directors
    Recent
    • Fei Mu

      Valérie Massadian
      October 2019
      Issue 92
    • Huston, John

      Valérie Massadian
      July 2019
      Issue 91
    • Stone, Oliver

      Valérie Massadian
      July 2019
      Issue 91
    • Klapisch, Cédric

      Valérie Massadian
      March 2019
      Issue 90
    more articles...
    Random
    • Ozu, Yasujiro

      Valérie Massadian
      May 2003
      Great Directors
      Issue 26
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Author Valérie Massadian

Valérie Massadian

Valérie Massadian is a Franco-Armenian photographer and filmmaker. Her work concentrates on female characters, their animality, how they relate to the world and nature.

thumb image

48.8566° N, 2.3522° E, Winter Solstice 2017

Valérie Massadian
March 2019
Valérie Massadian and the Aesthetics of Care
Issue 90
The real is leaders whose relationship to the world is only comprised of statistics, figures and data and have lost all sense of reality and humanity The real is when at 3 years old you ask your mother why...
thumb image

Letter to Kelyna

Valérie Massadian
March 2019
Valérie Massadian and the Aesthetics of Care
Issue 90
St Jean de la Forêt, July 2011 Kelyna, You don't know how to read yet, but you're learning. And as everything you do, you do it with rage. We have known each other for almost two years now. And now...

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César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

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