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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Violeta Kovacsics
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Violeta Kovacsics
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Violeta Kovacsics
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Violeta Kovacsics
      December 2018
      Issue 89
    more articles...
    Random
    • Following The Law of One’s Own Being: The Crying Woman in The Green Ray

      Violeta Kovacsics
      April 2010
      Eric Rohmer Dossier, Feature Articles, Special Dossiers
      Issue 54
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Violeta Kovacsics
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Violeta Kovacsics
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Violeta Kovacsics
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Violeta Kovacsics
      December 2018
      Issue 89
    more articles...
    Random
    • The Proof and the Pudding: Indie Lisboa's 10th Anniversary Edition

      Violeta Kovacsics
      June 2013
      Festival Reports
      Issue 67
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Violeta Kovacsics
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Violeta Kovacsics
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Violeta Kovacsics
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Violeta Kovacsics
      December 2018
      Issue 89
    more articles...
    Random
    • Returning to the Movie Theatre: Roland Barthes’ Cinema by Philip Watts and La nuit sera noire et blanche by Jean Narboni

      Violeta Kovacsics
      March 2016
      Book Reviews
      Issue 78
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Violeta Kovacsics
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Violeta Kovacsics
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Violeta Kovacsics
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Violeta Kovacsics
      October 2018
      Issue 88
    more articles...
    Random
    • Warning Shadows

      “Half Sick of Shadows”: Voyeurism and Psychosis in Warning Shadows

      Violeta Kovacsics
      June 2018
      Cinémathèque Annotations on Film
      Issue 87
  • Great Directors
    Recent
    • Takahata, Isao

      Violeta Kovacsics
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Violeta Kovacsics
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Violeta Kovacsics
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Violeta Kovacsics
      October 2018
      Issue 88
    more articles...
    Random
    • Albert Brooks

      Brooks, Albert

      Violeta Kovacsics
      August 2016
      Great Directors
      Issue 80
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Author Violeta Kovacsics

Violeta Kovacsics

Born in Barcelona, Violeta Kovacsics has worked as a film critic for various Spanish magazines, and for publications such as Scope and Enfocarte. She has also worked in radio as a music journalist. Now she is living in Paris where she is finishing her studies on Audiovisual Communication and Cinema.

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Storytelling with Rhythm and Feeling: An Interview with Brad McGann

Violeta Kovacsics
February 2005
On Recent Films
Issue 34
New Zealand filmmaker Brad McGann describes the process of making his debut In My Father's Den, the film's themes and ideas, its feel for rhythm and emotion, and his own cinematic influences.
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Agit Pop: The 52nd San Sebastián International Film Festival

Violeta Kovacsics
February 2005
Festival Reports
Issue 34
September 17–25, 2004 As the largest film festival in Spain, the San Sebastián International Film Festival is well-placed to represent Spanish cinema. And as are all large-scale festivals, it is a...
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The Three Faces of Spidey: Spiderman 2

Violeta Kovacsics
October 2004
Feature Articles
Issue 33
Even better than the original, this sequel marks the maturity of director Sam Raimi as well as his hero.
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Brother’s Intimacy: Patrice Chéreau’s Son frère

Violeta Kovacsics
July 2004
Feature Articles
Issue 32
Through the depiction of the body in pain and the shame of shamelessness, Chéreau locates a balance between intimacy, dignity and crudity.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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