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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Violeta Kovacsics
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Violeta Kovacsics
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Violeta Kovacsics
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Violeta Kovacsics
      October 2019
      Issue 92
    more articles...
    Random
    • Sergei Eisenstein

      Violeta Kovacsics
      February 2004
      Cinémathèque Annotations on Film, Feature Articles
      Issue 30
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Violeta Kovacsics
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Violeta Kovacsics
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Violeta Kovacsics
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Violeta Kovacsics
      October 2019
      Issue 92
    more articles...
    Random
    • A Tale of Two Festivals: International Film Festival of India and Experimenta

      Violeta Kovacsics
      March 2018
      Festival Reports
      Issue 86
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Violeta Kovacsics
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Violeta Kovacsics
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Violeta Kovacsics
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Violeta Kovacsics
      July 2019
      Issue 91
    more articles...
    Random
    • Angela Dalle Vacche (ed), Film, Art, New Media: Museum without Walls?

      Violeta Kovacsics
      March 2013
      Book Reviews
      Issue 66
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Violeta Kovacsics
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Violeta Kovacsics
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Violeta Kovacsics
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Violeta Kovacsics
      October 2019
      Issue 92
    more articles...
    Random
    • Stirring the Ripples: Wu Tianming’s The Old Well (Lao jing)

      Violeta Kovacsics
      May 2015
      Cinémathèque Annotations on Film
      Issue 74
  • Great Directors
    Recent
    • Fei Mu

      Violeta Kovacsics
      October 2019
      Issue 92
    • Huston, John

      Violeta Kovacsics
      July 2019
      Issue 91
    • Stone, Oliver

      Violeta Kovacsics
      July 2019
      Issue 91
    • Klapisch, Cédric

      Violeta Kovacsics
      March 2019
      Issue 90
    more articles...
    Random
    • Buñuel, Luis

      Violeta Kovacsics
      April 2005
      Great Directors
      Issue 35
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Author Violeta Kovacsics

Violeta Kovacsics

Born in Barcelona, Violeta Kovacsics has worked as a film critic for various Spanish magazines, and for publications such as Scope and Enfocarte. She has also worked in radio as a music journalist. Now she is living in Paris where she is finishing her studies on Audiovisual Communication and Cinema.

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Storytelling with Rhythm and Feeling: An Interview with Brad McGann

Violeta Kovacsics
February 2005
On Recent Films
Issue 34
New Zealand filmmaker Brad McGann describes the process of making his debut In My Father's Den, the film's themes and ideas, its feel for rhythm and emotion, and his own cinematic influences.
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Agit Pop: The 52nd San Sebastián International Film Festival

Violeta Kovacsics
February 2005
Festival Reports
Issue 34
September 17–25, 2004 As the largest film festival in Spain, the San Sebastián International Film Festival is well-placed to represent Spanish cinema. And as are all large-scale festivals, it is a...
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The Three Faces of Spidey: Spiderman 2

Violeta Kovacsics
October 2004
Feature Articles
Issue 33
Even better than the original, this sequel marks the maturity of director Sam Raimi as well as his hero.
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Brother’s Intimacy: Patrice Chéreau’s Son frère

Violeta Kovacsics
July 2004
Feature Articles
Issue 32
Through the depiction of the body in pain and the shame of shamelessness, Chéreau locates a balance between intimacy, dignity and crudity.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

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