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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Volker Hummel
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Volker Hummel
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Volker Hummel
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Volker Hummel
      October 2019
      Issue 92
    more articles...
    Random
    • Richard Linklater’s Boyhood and the problem of aging in film

      Volker Hummel
      July 2019
      Feature Articles
      Issue 91
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Volker Hummel
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Volker Hummel
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Volker Hummel
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Volker Hummel
      October 2019
      Issue 92
    more articles...
    Random
    • Hungarian Rhapsody: The Experimental Forum at the 49th Thessaloniki International Film Festival

      Volker Hummel
      April 2009
      Festival Reports
      Issue 50
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Volker Hummel
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Volker Hummel
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Volker Hummel
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Volker Hummel
      July 2019
      Issue 91
    more articles...
    Random
    • Into the Past: The Cinema of Guy Maddin by William Beard; and Playing with Memories: Essays on Guy Maddin edited by David Church

      Volker Hummel
      March 2012
      Book Reviews
      Issue 62
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Volker Hummel
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Volker Hummel
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Volker Hummel
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Volker Hummel
      October 2019
      Issue 92
    more articles...
    Random
    • Private Confessions

      Volker Hummel
      September 2013
      Cinémathèque Annotations on Film
      Issue 70
  • Great Directors
    Recent
    • Fei Mu

      Volker Hummel
      October 2019
      Issue 92
    • Huston, John

      Volker Hummel
      July 2019
      Issue 91
    • Stone, Oliver

      Volker Hummel
      July 2019
      Issue 91
    • Klapisch, Cédric

      Volker Hummel
      March 2019
      Issue 90
    more articles...
    Random
    • Franklin, Richard

      Volker Hummel
      July 2005
      Great Directors
      Issue 36
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Author Volker Hummel

Volker Hummel

Volker Hummel is a freelance journalist from Hamburg, Germany, who writes on literature and film. He is also author of The Vortex and a film festival programmer.

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The Missing: An Interview with Lee Kang-sheng

Volker Hummel
July 2004
53rd Melbourne International Film Festival
Issue 32
Muse and principal actor in the cinema of Tsai Ming-liang, Lee discusses his experience behind the camera and the theme of loss which permeates his directorial debut.
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Interview with Kim Ki-Duk

Volker Hummel
March 2002
Feature Articles
Issue 19
The director of such stark and horror cult movies as The Isle and the newly released Bad Guy is revealed to be a very sensitive, humanist individual in this insightful interview.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

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César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

Webmaster and Administrator: Bradley Dixon

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