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  • Features
    Recent
    • Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

      Zain Jamshaid
      March 2018
      Issue 86
    • Ventura Pons interview

      “A Film is a Synthesis”: An Interview with Ventura Pons

      Zain Jamshaid
      March 2018
      Issue 86
    • Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

      Zain Jamshaid
      March 2018
      Issue 86
    • Roskam Feature Image

      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

      Zain Jamshaid
      March 2018
      Issue 86
    more articles...
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    • 2010 World Poll

      Zain Jamshaid
      January 2011
      2010 World Poll, Feature Articles
      Issue 57
  • Festival Reports
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    • International Film Festival Rotterdam 2018

      Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

      Zain Jamshaid
      March 2018
      Issue 86
    • AFI AFM 2017

      AFM/AFI FEST 2017: Magic Women, Haptic Men

      Zain Jamshaid
      March 2018
      Issue 86
    • Ânûû-rû Âboro: The Festival of Peoples’ Cinema

      Zain Jamshaid
      March 2018
      Issue 86
    • A Tale of Two Festivals: International Film Festival of India and Experimenta

      Zain Jamshaid
      March 2018
      Issue 86
    more articles...
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    • The Gleaners and Varda: The 2013 AFI FEST & American Film Market

      Zain Jamshaid
      March 2014
      Festival Reports
      Issue 70
  • Book Reviews
    Recent
    • jean rollin

      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

      Zain Jamshaid
      March 2018
      Issue 86
    • troubled everyday

      From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

      Zain Jamshaid
      March 2018
      Issue 86
    • cinema hypothesis

      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

      Zain Jamshaid
      March 2018
      Issue 86
    • slums on screen

      Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

      Zain Jamshaid
      March 2018
      Issue 86
    more articles...
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    • Eric Rohmer

      A life with no story: Eric Rohmer: A Biography, by Antoine de Baecque and Noël Herpe

      Zain Jamshaid
      September 2017
      Book Reviews
      Issue 84
  • CTEQ
    Recent
    • Diary of a Chambermaid

      Diary of a Chambermaid

      Zain Jamshaid
      March 2018
      Issue 86
    • Les Amants

      Les Amants

      Zain Jamshaid
      March 2018
      Issue 86
    • bay of angels

      La Baie des Anges

      Zain Jamshaid
      March 2018
      Issue 86
    • Eva (Joseph Losey, 1962)

      Zain Jamshaid
      March 2018
      Issue 86
    more articles...
    Random
    • Triple Agent

      Triple Agent (Éric Rohmer, 2004)

      Zain Jamshaid
      March 2017
      Cinémathèque Annotations on Film
      Issue 82
  • Great Directors
    Recent
    • Chantal Akerman

      Chantal Akerman

      Zain Jamshaid
      February 2018
      Issue 86
    • Sergei Eisenstein

      Sergei Eisenstein

      Zain Jamshaid
      December 2017
      Issue 85
    • Max Ophuls

      Max Ophuls

      Zain Jamshaid
      December 2017
      Issue 85
    • Lindsay Anderson

      Lindsay Anderson

      Zain Jamshaid
      December 2017
      Issue 85
    more articles...
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    • Larry Cohen

      Zain Jamshaid
      October 2003
      Great Directors
      Issue 28
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Author Zain Jamshaid

Zain Jamshaid

Zain Jamshaid is a graduate student in the Film Studies program at Columbia University's School of the Arts in New York.

thumb image

Invested in Expression or in Its Destruction?: The Politics of Space and Representation in Chantal Akerman’s Cinema

Zain Jamshaid
September 2012
Feature Articles
Issue 64
The objective of this article is to examine the hyperrealist, feminist tactics of Chantal Akerman’s early 1970s films Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles(1975) and, especially, Je tu il elle...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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