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  • Features
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    • Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

      Joanna Di Mattia
      March 2018
      Issue 86
    • Ventura Pons interview

      “A Film is a Synthesis”: An Interview with Ventura Pons

      Jytte Holmqvist
      March 2018
      Issue 86
    • Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

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      Issue 86
    • Roskam Feature Image

      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

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      Issue 86
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    • International Film Festival Rotterdam 2018

      Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

      Tara Judah
      March 2018
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      AFM/AFI FEST 2017: Magic Women, Haptic Men

      Bérénice Reynaud
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      March 2018
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      November 2012
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    • jean rollin

      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

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      March 2018
      Issue 86
    • troubled everyday

      From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

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      March 2018
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      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

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      March 2018
      Issue 86
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      Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

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      March 2018
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    • Diary of a Chambermaid

      Diary of a Chambermaid

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      Les Amants

      Patrick Garson
      March 2018
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      La Baie des Anges

      Lindsay Henderson
      March 2018
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Australian Cinema

Home
Australian Cinema
article placeholder

The Genesis of The Naked Bunyip

John B. Murray
February 2006
Australian Cinema
Issue 38
A producer, director, screenwriter and activist for an Australian national cinema provides a first-hand socio-cultural account of the era surrounding the late 1960s-early ’70s revival in local film production.
article placeholder

Portraits of Settler History in The Proposition

Carol Hart
February 2006
Australian Cinema
Issue 38
Hailed as an antipodean Western, this Nick Cave scripted and John Hillcoat directed feature raises considerable debate about the representation of Australia’s colonial history.

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