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Issue 22

Welcome to Issue 22 of our journal!

There is nothing connected with the staging of a motion picture that a woman cannot do as easily as a man. - Alice Guy-Blaché, 1913

Max Ophuls: A New Art – But Who Notices?

Where cinema becomes music, entwining emotion and movement, Ophuls allows his female characters to hold centre stage

Gillian Armstrong

b. December 18, 1950, Melbourne, Australia filmography bibliography web resources Introduction My earliest understandings of film as a creative product are associated with Gillian Armstrong.

The Zipper

Meeting Rita Hayworth was a powerful, loaded moment for Michaels, and it's captured here in gorgeous literary style

Lars von Trier

b. Lars Trier b. April 30, 1956, Copenhagen, Denmark filmography bibliography articles in Senses web resources Lars von Trier: The Little Knight In Tranceformer: A

For Wanda

Interweaving interview and autobiographical material with wide-ranging analysis, this is a pioneering study of a woman who sought to find a room of her own

Bi-Polar Gender-Blender: Sylvia Scarlett

Sylvia Scarlett (1935 USA 95 mins) Source: ACMI/NLA Prod Co: RKO Prod: Pandro S. Berman Dir: George Cukor Scr: Gladys Unger, John Collier, Mortimer Offner

An Interview with Leslie Thornton

Here Leslie talks insightfully about language, narrative, commodity culture and responses to her own films

Jane Campion

b. 30 April, 1954, Wellington, New Zealand filmography bibliography articles in Senses web resources Jane Campion is Australasia’s leading auteur director. As recipient of the

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