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Beyond the Grave of Genre

What is the Matrix? Cinema, Totality, and Topophilia

Leary maps the vertiginous images of “totality” presented in The Matrix and its sequels

Tarantino and the Vengeful Ghosts of Cinema

Kill Bill's battle-of-the-exploitation-genres both fascinates and disappoints

To Live and Die in L.A.: Ritual in the Films of Willem Dafoe

A martyr to the cinema: Hallberg traces the meta-narrative of death and transcendence guiding Dafoe's film performances

Looking Away to See: Frazer Lee’s Duty of Care Films

Revealing the danger of passively trusting in those signifying authorised power, these two short horror films emphasise the agency of the viewer in producing meaning

Isolation and Subjugation: The Telephone in the Slasher Film

20 years of menacing phone calls show the changing role of the world's most omnipresent communication technology

The Light and the Darkness: Myth in the Films of Richard Stanley

From Voudou to the spaghetti Western: the mythic underpinnings of Stanley's Gnostic horror films

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