Issue 33
The Cinema Too Must Be Destroyed: An Interview with Stewart Home
The prolific British novelist and all-round provocateur discusses his film work
This Time It’s Personal: Touch: Sensuous Theory and Multisensory Media by Laura U. Marks
In the opening paragraph of the opening essay of Touch: Sensuous Theory and Multisensory Media Laura Marks describes the experience of watching a marginal, unknown
Midnight at the Oasis: The 9th Cinematexas International Short Film Festival
From the wide span of the Congress Avenue bridge in Austin, it was possible to mark the autumn equinox this September by gazing up that
Thoughts on the Number Five: Kiarostami, von Trier, and Slessor
A short, lyrical contemplation on the popularity and usage of the number “five” in recent cinema
Dancers of the Sea
Dancers of the Sea/Les Danseuses de la mer (1956 France 20 mins) Source: ACMI Collections Filmmaker: Jean Painlevé Mus: Pierre Conte “You will not make
Scorsese’s Alibis? Scorsese’s Men: Melancholia and the Mob by Mark Nicholls
Male melancholy, according to Adrian Martin, is one of those places where cinema has a rendezvous with its destiny. Perhaps this is why cinephiles often
Crossing Over, or “It’s a Long Way to Lordsburg”: Comanche Station
Comanche Station (1960 USA 73 mins) Source: Sony Picture Classics Prod Co: Ranown Prod, Dir: Budd Boetticher Scr: Burt Kennedy Phot: Charles Lawton, Jnr Ed:
Talking About Seeing: A Conversation with James Benning
The uncategorisable experimental filmmaker was recently in Brisbane to introduce a program of his films
Morning of the Earth: A Surf Movie Classic
Morning of the Earth (1972 Australia 77 mins) Source: ScreenSound Australia Prod: David Elfick Dir, Phot, Ed: Albert Falzon Mus: G. Wayne Thomas with Brian