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Issue 34

Cinema of Damnation: Negative Capabilities in Contemporary Central and Eastern European Film

The possibility of spiritual or epiphanic release often found in Tarkovskyís oeuvre is absent from the contemporary generation of Eastern European films

Horror of Dracula

Horror of Dracula/Dracula (1958 UK 81 mins) Source: NFVLS Prod Co: Hammer Film Productions Prod: Anthony Hinds Dir: Terence Fisher Scr: Jimmy Sangster, based on

Cinema For/Against the Lure of Images: The 23rd Vancouver International Film Festival

September 23–October 8, 2004 A few years ago, one of my then-colleagues at Cahiers du cinéma, Marc Chevry, launched a stimulating series of articles reflecting

Peter Weir

b. August 21, 1944, Sydney, Australia Filmography Select Bibliography Web Resources Commanding Waves: The Films of Peter Weir Peter Weir helped to define the rebirth

The Heart is Deceitful: The Film is Not

Asia Argento's latest film is raw, confrontational and true to itself

The Seventh Continent

The Seventh Continent/Der Siebente Kontinent (1989 Austria 104 mins) Source: Bavaria Films Prod Co: Wega Film Prod: Veit Heiduschka Dir, Scr: Michael Haneke Phot: Anton

Patricio Guzmán’s Salvador Allende: The Personal Painting of a Universal Myth

Acclaimed filmmaker Patricio Guzmán's latest work for the first time tackles the greatness and the legacy of Salvador Allende

Dental as Anything: Tell Me if it Hurts

Tell Me if it Hurts (1934 Britain 20 mins) Source: NFVLS Prod, Dir, Scr: Richard Massingham Phot: Karl Urbahn Mus: Harry Platt Cast: Russell Waters,

Rocks in his Eyes: An Interview with Edward Luyken

Luyken's films, an ever-growing body of work that premieres regularly at Rotterdam and were part of D-Light, are characterised by a concern with the metamorphosis

Lido Days (and Livid Nights): The 60th Venice Film Festival

September 1–11, 2004 Despite fears that Marco Müller’s overt wooing of Hollywood glamour would undercut the artistic mission of the 2004 Venice Film Festival, there

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