Issue 34
Cinema of Damnation: Negative Capabilities in Contemporary Central and Eastern European Film
The possibility of spiritual or epiphanic release often found in Tarkovskyís oeuvre is absent from the contemporary generation of Eastern European films
Horror of Dracula
Horror of Dracula/Dracula (1958 UK 81 mins) Source: NFVLS Prod Co: Hammer Film Productions Prod: Anthony Hinds Dir: Terence Fisher Scr: Jimmy Sangster, based on
Cinema For/Against the Lure of Images: The 23rd Vancouver International Film Festival
September 23–October 8, 2004 A few years ago, one of my then-colleagues at Cahiers du cinéma, Marc Chevry, launched a stimulating series of articles reflecting
Peter Weir
b. August 21, 1944, Sydney, Australia Filmography Select Bibliography Web Resources Commanding Waves: The Films of Peter Weir Peter Weir helped to define the rebirth
The Heart is Deceitful: The Film is Not
Asia Argento's latest film is raw, confrontational and true to itself
The Seventh Continent
The Seventh Continent/Der Siebente Kontinent (1989 Austria 104 mins) Source: Bavaria Films Prod Co: Wega Film Prod: Veit Heiduschka Dir, Scr: Michael Haneke Phot: Anton
Patricio Guzmán’s Salvador Allende: The Personal Painting of a Universal Myth
Acclaimed filmmaker Patricio Guzmán's latest work for the first time tackles the greatness and the legacy of Salvador Allende
Dental as Anything: Tell Me if it Hurts
Tell Me if it Hurts (1934 Britain 20 mins) Source: NFVLS Prod, Dir, Scr: Richard Massingham Phot: Karl Urbahn Mus: Harry Platt Cast: Russell Waters,
Rocks in his Eyes: An Interview with Edward Luyken
Luyken's films, an ever-growing body of work that premieres regularly at Rotterdam and were part of D-Light, are characterised by a concern with the metamorphosis
Lido Days (and Livid Nights): The 60th Venice Film Festival
September 1–11, 2004 Despite fears that Marco Müller’s overt wooing of Hollywood glamour would undercut the artistic mission of the 2004 Venice Film Festival, there