Issue 40
Close-Up #1 edited by John Gibbs and Douglas Pye
Close-Up is a stimulating new idea from Wallflower Press who, through their varied, audacious and prolific line-up of titles, have rapidly become one of the
Thinking in Images: Film Theory, Feminist Philosophy and Marlene Dietrich by Catherine Constable
Shameless. That’s the word that comes to mind when I think of women like Marlene Dietrich – clever, strong, and defiantly erotic in the face
Mizoguchi and Japan by Mark Le Fanu
Kenji Mizoguchi is acknowledged as one of the masters of classic Japanese cinema, but his films are rarely exhibited or studied in film courses. One
European Cinema: Face to Face with Hollywood by Thomas Elsaesser
Over recent years, Thomas Elsaesser has published so prolifically that one might be forgiven for occasionally wondering if “Thomas Elsaesser” is the name not of
Stan Brakhage: Filmmaker edited by David E. James
Stan Brakhage didn’t invent the avant-garde cinema. But he certainly reinvented it. Under his tutelage, it finally became a fine art. Joseph Schumpeter would have
Craig Baldwin
b. 1952, Oakland, California, USA Filmography Select Bibliography Articles in Senses Web Resources Craig Baldwin considers his work “underground” rather than “experimental” or “avant-garde”. Whereas
Sally Potter
b. 19 September, 1949, London, England Filmography Select Bibliography Articles in Senses Web Resources “A state of loving detachment”: Sally Potter’s Impassioned and Intellectual Cinema
Pedro Almodóvar
b. September 25, 1949, Calzada de Calatrava, Spain Filmography Select Bibliography Articles in Senses Web Resources Pedro Almodóvar is the cultural symbol par excellence of
Mike Hodges
b. 29 July 1932 Bristol, England Filmography Select Bibliography Articles in Senses Web Resources Beyond Get Carter: Landscapes of Alienation Although Mike Hodges will always
D.W. Griffith
b. 22 January, 1875, Oldham County, Kentucky, USA d. 24 July, 1948, Los Angeles, California, USA Filmography Select Bibliography Articles in Senses Web Resources The