Issue 43
Cosmic Voyage
Kosmicheskij rejs/Cosmic Voyage/Cosmic Journey/The Space Ship/The Space Voyage (1936 USSR 70 mins) Prod Co: Mosfilm Dir: Vasilij Zhuravlev Scr: Aleksandr Filimonov, Vasilij Zhuravlev, loosely based
Céline et Julie vont en bateau
Céline et Julie vont en bateau/Celine and Julie go Boating (1974 France 193 mins) Prod Co: Les Films du Losange Prod: Barbet Schroeder Dir: Jacques
La belle noiseuse
La belle noiseuse (1991 France 240 mins) Prod Co: Pierre Grise Productions/George Reinhardt Productions/FR3 Films Productions/Région Languedoc-Roussillon Prod: Martine Marignac Dir: Jacques Rivette Scr: Pascal
The Bellboy
The Bellboy (1960 USA 71 mins) Prod Co: Jerry Lewis Pictures/Paramount Prod, Dir, Scr: Jerry Lewis Phot: Haskell B. Boggs Ed: Stanley E. Johnson Art
Thief
Thief (1981 US 122 mins) Prod Co: Mann/Cann Productions Prod: Jerry Bruckheimer, Ronnie Caan Dir: Michael Mann Scr: Michael Mann, based on the novel The
Time and Tide (and Torrents of Discourse): The Ister
The Ister (2004 Australia 189 mins) Prod, Dir, Phot, Sound Des: David Barison, Daniel Ross Ed: David Barison Mus: Selections from Anton Bruckner, Frans Schubert,
Ruslan and Ludmila/Ruslan i Lyudmila
Ruslan and Ludmila/Ruslan i Lyudmila (USSR 1972 149 mins) Prod Co: Mosfilm Dir: Alexander Ptushko Scr: Alexander Ptushko, adapted from Alexander Pushkin Phot: I. Gelein,
Paris nous appartient/Paris Belongs to Us
Paris nous appartient/Paris Belongs to Us (1961 France 140 mins) Prod Co: Ajym Films/Les Films du Carrosse Prod: Roland Nonin Dir: Jacques Rivette Scr: Jacques
Reinventing European Cinema Studies? The New European Cinema: Redrawing the Map by Rosalind Galt and Crossing New Europe: Postmodern Travel and the European Road Movie by Ewa Mazierska and Laura Rascaroli
The focus on European cinema is hardly a new development in film scholarship. European filmmakers and European national cinemas have been on the agenda of
What Ever Happened to Orson Welles? A Portrait of an Independent Career by Joseph McBride
In his excellent 1996 review of several Orson Welles books which had just been published, Jonathan Rosenbaum wrote the following about the revised and expanded