Issue 49
Male Irresponsibility and (Temporary) Redemption: Howard Hawks’ The Crowd Roars
The Crowd Roars (1932 USA 84 mins) Prod Co: First National-Vitaphone/Warner Bros. Prod: Bryan Foy Dir: Howard Hawks Scr: Kubec Glasmon, John Bright, Seton I.
Alvin Purple by Catharine Lumby
If you take a piece of paper and cut off half of the image of Graeme Blundell on the cover of this book and then
Mining the Home Movie: Excavations in Histories and Memories edited by Karen L. Ishizuka and Patricia R. Zimmermann
Mining the Home Movie: Excavations in Histories and Memories is a significant and often extremely rich contribution to the existing writing and research on the
Freedom to Offend: How New York Remade Movie Culture by Raymond J. Haberski, Jr
The Paris Theater, on 58th Street in Manhattan, once received bomb threats for showing Roberto Rossellini’s “Il Miracolo” (“The Miracle”) from L’Amore (1948); it is
City That Never Sleeps: New York and the Filmic Imagination edited by Murray Pomerance
In his essay on New York as “noir universe” in City That Never Sleeps: New York and the Filmic Imagination, Wheeler Winston Dixon argues that, New
On Abel Gance’s J’Accuse and La Roue
Peter Hourigan offers an appreciative evaluation of these two silent-era classics recently released on DVD by Flicker Alley
Welcome to Issue 49 of our Journal … Finally!
Senses of Cinema would like to apologise to both authors and readers for the lateness of this issue. Senses has undertaken a complete redesign of
Alfred Hitchcock and The Fighting Generation
Hitchcock scholar Alain Kerzoncuf resurrects some insightful archival material regarding Hitchcock’s 1944 short war-effort propaganda film
In Bed With Bond: Redux
Senses Co-editor and James Bond aficionado Scott Murray puts the many claims made about the sexual politics of the Bond films (and books) under the