Issue 5
How Art Turned into Shmart: Utility in L’Argent
Fascinating analysis of the bourgeoisie and their particular ways
This Wounded Cinema, This Wounded Life
This paper was given at the Special Effects/Special Affects: Technologies of the Screen symposium held at the University of Melbourne, 25/3/2000. * * * I
Vivre sa vie
Vivre sa vie (My Life to Live) (1962, France, 85 mins) Source: CAC Prod. Co: Films De La Pléïade Prod: Pierre Braunberger Dir, Scr: Jean-Luc
The Devil Finds Work by James Baldwin
Baldwin's book was published in the '70s, but it is probably one of the best film books around
Never a Native: Deconstructing Home and Heart in Holy Smoke
A sensitive discussion of the heroine's complex journey in Jane Campion's latest film
Baroque Perceptual Regimes
This paper was given at the Special Effects/Special Affects: Technologies of the Screen symposium held at the University of Melbourne, 25/3/2000. * * * We
Berlin: Symphony of a City
Berlin: Symphony of a City (Berlin: die Sinfonie der Großstadt) (1927, Germany, 50 mins, B&W, silent) Source: CAC Prod. Company: Fox-Europa Prod: Karl Freund Dir
Welcome to Issue 5 of our monthly, ever-burgeoning journal!
In this issue we have a special feature on Eric Rohmer, whose film Autumn Tale opened recently in Melbourne, and, who, as it happens, just
Magic Realism in Conte d’automne (Autumn Tale)
A discussion of Rohmer's philosophy of cinematic realism, followed by a review of Autumn Tale
Things Analog and Digital
This paper was given at the Special Effects/Special Affects: Technologies of the Screen symposium held at the University of Melbourne, 25/3/2000. * * * Introduction