Special Effects/Special Affects: Technologies of the Screen – A Symposium
What My Fingers Knew: The Cinesthetic Subject, or Vision in the Flesh
This is a chapter from a forthcoming book of collected essays by Vivian Sobchack. It shares ideas with a paper given at the Special Effects/Special
Optimal Viewing Distance – Memory as Telaesthesia
This paper was given at the Special Effects/Special Affects: Technologies of the Screen symposium held at the University of Melbourne, 25/3/2000. * * * The
Baroque Perceptual Regimes
This paper was given at the Special Effects/Special Affects: Technologies of the Screen symposium held at the University of Melbourne, 25/3/2000. * * * We
Things Analog and Digital
This paper was given at the Special Effects/Special Affects: Technologies of the Screen symposium held at the University of Melbourne, 25/3/2000. * * * Introduction
What Self is This?
This paper was given at the Special Effects/Special Affects: Technologies of the Screen symposium held at the University of Melbourne, 25/3/2000. * * * Confounding
This Wounded Cinema, This Wounded Life
This paper was given at the Special Effects/Special Affects: Technologies of the Screen symposium held at the University of Melbourne, 25/3/2000. * * * I