Issue 6
In the Waiting Room: John Huston’s Let There Be Light
Let There Be Light (1946 USA 58 mins) Source: NLA/Cinemedia Prod Co: U.S. Army Signal Corp Pictorial Service Dir: John Huston Scr: John Huston, Charles
Modernity: A Film by Alfred Hitchcock
This paper was presented at the Alfred Hitchcock conference For the Love of Fear convened by the Museum of Contemporary Art, Sydney, held from 31
Jeune, dure et pure ! Une histoire du cinéma d’avant-garde et expérimental en France
This is the entire program, in French, of this retrospective screening at the Cinémathèque française/Mazzotta between May 3 and July 2, 2000. * * *
Tongues Untied
Tongues Untied (1989 USA 55 mins) Source: CAC Prod. Co: MTR Production Prod, Dir, Phot, Ed: Marlon Riggs Scr: Riggs, Essex Hemphill Identities are the
Cutting the Flow: Thinking Psycho
This paper was presented at the Alfred Hitchcock conference For the Love of Fear convened by the Museum of Contemporary Art, Sydney, held from 31
Drella and the MacGuffin
Alfred Hitchcock meets Andy Warhol and both get out of the encounter alive – just. * * * Extracts from this script were read at
Melancholy and Euphoria in the Fairytale: Peau D’âne
Peau D’âne (Donkey Skin, 1970, France 90 mins) Source: CAC Prod. Co: Mag Bodard, Marianne Dir, Scr: Jacques Demy from Charles Perrault’s fairy tale Phot:
The Key to De Palma’s Raising Cain
An illuminating discussion of this often critically neglected De Palma film
Welcome to Issue 6 of our monthly journal!
In this issue we feature articles on two highly distinctive auteurs, Brian De Palma and François Truffaut. A career ranging from the late ’60s to
Don’t Look Back: Come and See
Come and See (1985 Soviet Union 142 mins) Source: AFTRS Prod, Dir: Elem Klimov Scr: Klimov and Ales Adamovich Phot: Alexei Rodionov Mus: O. Yanchenko,