Issue 64 | September 2012
Goldsmith B, Ward S and O’Regan T, 2010, Local Hollywood: Global Film Production and the Gold Coast
In 1988 Warner Roadshow Studios opened on the Gold Coast in south-east Queensland, with four soundstages and other facilities to support film and television production.
Welcome to Issue 64 of our journal
He seemed immortal, Chris Marker. For so long the basic empirical data of his life – his name, date and place of birth, his private
Features
Chris Marker Special Dossier: My Letter from Siberia by Murray Pomerance Séance “C.M.” by Gavin Keeney Montage as Resonance: Chris Marker and the Dialectical Image by Daniel
Key Moments in Australian Cinema
Contents: Luke Buckmaster on Dead End Drive-In Kit Harvey on Red Hill Lesley Speed on Ants in His Pants Adrian Danks on The Overlanders Stephen
Festival Reports
Contents: Jorge Mourinha on Vila do Conde International Short Film Festival Sally Shafto on Khouribga Bill Mousoulis on Karlovy Vary Alison Frank on New Horizons
Cinémathèque Annotations on Film
Contents: Tony Williams on The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks Shari Kizirian on The Girl with the Hat Box
Book Reviews
Contents: Mary Harrod on Richard Linklater Mike Walsh on The Shadowcatchers: A History of Cinematography in Australia Richard Martin on David Lynch Todd Herzog on
My Letter from Siberia
I went with my close friends Steve Miller and Nancy Corwin, sometime in the autumn of 1969 (when I was twenty-three), to see Chris Marker’s
Kubrick Creator: Alchemy in Stanley Kubrick’s Films
How one should turn to stone. – Slowly slowly become hard like a precious stone – and finally lie there still and silent, to the
Claude Sautet: Purity and Invention
What is the thing in its essential nature and how is it to be treated? Those are the two fundamental questions for the artist. They