Eric Rohmer Dossier
When Rohmer Was Making ‘Silent Films’
Like many of his collaborators, filmmaker Jackie Raynal was present at the Cinémathèque Française’s memorial homage to Rohmer earlier this year. Sparked by the occasion,
New Interview with Eric Rohmer
A landmark interview originally published in Cahiers du cinéma in 1970. The journal was in the midst of its Marxist/Leninist era, while Rohmer's Bazinian idealism
Eric Rohmer’s Place de l’Étoile
Fellow critic and filmmaker Luc Moullet gives due consideration to Rohmer’s sketch in Paris vu par… highlighting its fidelity to location
Secrets and Lies: Three Documentaries About Eric Rohmer
Rohmer was himself a private and reserved individual who, more often that not, shunned the spotlight. Bruce Perkins examines three documentaries on the filmmaker, and
Eric Rohmer, Educator
Former pupil and author of a study on Rohmer, Alain Hertay, offers a reflection on the short films Rohmer made for educational television
Cinema and the Classroom: Education in the Work of Eric Rohmer
In both content and form, a strong pedagogical endeavour has informed the work of Rohmer throughout his career. Darragh O’Donoghue discusses this inclination, focusing on
The Sign of the Map: Cartographic Reading and Le signe du lion
The topographical tracings of Rohmer’s feature debut reveal a dual motif: the cartographic and the photographic. Roland-François Lack’s insightful essay meticulously traces the unfolding of
La collectionneuse: Dandies on the Côte d’Azur
Jacob Leigh looks into both the production history and the general cultural influences that inform Rohmer’s first-produced but fourth listed of the feature length ‘Moral
Night Moves Around Maud
Arthur Penn’s 1975 detective thriller contains one of the most noted of references to My Night a Maud’s, but as Bruce Jackson argues, it is
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