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	<title>Senses of Cinema &#187; Feature Articles</title>
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	<link>http://sensesofcinema.com</link>
	<description>Issue 62</description>
	<lastBuildDate>Thu, 26 Apr 2012 03:22:25 +0000</lastBuildDate>
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		<title>“Yes, we were utopians; in a way, I still am&#8230;”: An Interview with Jean-Louis Comolli (Part 1)</title>
		<link>http://sensesofcinema.com/2012/feature-articles/yes-we-were-utopians-in-a-way-i-still-am-an-interview-with-jean-louis-comolli-part-1/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/yes-we-were-utopians-in-a-way-i-still-am-an-interview-with-jean-louis-comolli-part-1/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 20:12:06 +0000</pubDate>
		<dc:creator>Daniel Fairfax</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 62]]></category>
		<category><![CDATA[featured]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10967</guid>
		<description><![CDATA[In depth interview with one of the seminal figures in the emergence of a Marxist/Althusserian oriented film theory. In this first of a two-part interview, to be published over two issues, Comolli discusses the “Cahiers years” between 1965 and ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2012/feature-articles/yes-we-were-utopians-in-a-way-i-still-am-an-interview-with-jean-louis-comolli-part-1/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Artist and the MacMahon Factor</title>
		<link>http://sensesofcinema.com/2012/feature-articles/the-artist-and-the-macmahon-factor/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/the-artist-and-the-macmahon-factor/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 20:09:59 +0000</pubDate>
		<dc:creator>Zafar Masud</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 62]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10970</guid>
		<description><![CDATA[Looking into France’s international success with <em>The Artist</em>, Zafar Masud discovers the little-known history of a Parisian theatre and the cinéphiles that made its reputation. ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2012/feature-articles/the-artist-and-the-macmahon-factor/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Death of Film and the Hollywood Response</title>
		<link>http://sensesofcinema.com/2012/feature-articles/the-death-of-film-and-the-hollywood-response/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/the-death-of-film-and-the-hollywood-response/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 20:08:51 +0000</pubDate>
		<dc:creator>Andrew Gilbert</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 62]]></category>
		<category><![CDATA[featured]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10924</guid>
		<description><![CDATA[Could all of this year’s major Oscar nominated films be read as allegories of the end of the “celluloid” era? Andrew Gilbert argues that, collectively, their narratives reflect certain anxieties about the post-celluloid age of filmmaking]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2012/feature-articles/the-death-of-film-and-the-hollywood-response/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Artist: Mystification Beyond Artistry</title>
		<link>http://sensesofcinema.com/2012/feature-articles/the-artist-mystification-beyond-artistry/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/the-artist-mystification-beyond-artistry/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 20:07:40 +0000</pubDate>
		<dc:creator>Joseph Natoli</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 62]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10919</guid>
		<description><![CDATA[Joseph Natoli discusses the incongruous presence of a black and white, silent film evoking Hollywood’s “golden age” in an era of hi-tech culture that has displaced all that age represents]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2012/feature-articles/the-artist-mystification-beyond-artistry/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Boy Meets Girl: Architectonics of a Hitchcockian Shot</title>
		<link>http://sensesofcinema.com/2012/feature-articles/boy-meets-girl-architectonics-of-a-hitchcockian-shot/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/boy-meets-girl-architectonics-of-a-hitchcockian-shot/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 20:06:58 +0000</pubDate>
		<dc:creator>Murray Pomerance</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 62]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10899</guid>
		<description><![CDATA[Boy meets girl…and falls in love. In this case, Cary Grant with Ingrid Bergman in <em>Notorious</em>. Murray Pomerance’s analysis demonstrates how Hitchcock’s astute mise-en-scene makes it happen]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2012/feature-articles/boy-meets-girl-architectonics-of-a-hitchcockian-shot/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>To Experience Song of Ceylon</title>
		<link>http://sensesofcinema.com/2012/feature-articles/to-experience-song-of-ceylon/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/to-experience-song-of-ceylon/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 20:04:42 +0000</pubDate>
		<dc:creator>Daniella Gitlin</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 62]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10997</guid>
		<description><![CDATA[Insightful analysis of Basil Wright’s 1934 documentary that goes beyond the standard readings of the film in respect to its colonial discourse. ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2012/feature-articles/to-experience-song-of-ceylon/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>Sounds from the City in Film Noir</title>
		<link>http://sensesofcinema.com/2012/feature-articles/sounds-from-the-city-in-film-noir/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/sounds-from-the-city-in-film-noir/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 20:02:45 +0000</pubDate>
		<dc:creator>Eloise Ross</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 62]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10950</guid>
		<description><![CDATA[This article provides a penetrating analysis of the often over looked importance of audio elements and their design in a range of 1950’s film noirs]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2012/feature-articles/sounds-from-the-city-in-film-noir/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Ginette Lavigne’s La belle journée</title>
		<link>http://sensesofcinema.com/2012/feature-articles/ginette-lavignes-la-belle-journee/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/ginette-lavignes-la-belle-journee/#comments</comments>
		<pubDate>Sun, 18 Mar 2012 06:11:44 +0000</pubDate>
		<dc:creator>Jean-Louis Comolli</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 62]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=11136</guid>
		<description><![CDATA[Ginette Lavigne’s film offers a radical alternative to conventional uses of the sound/image dynamic]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2012/feature-articles/ginette-lavignes-la-belle-journee/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ernst Lubitsch and Nancy Meyers: A Study on Movie Love in the Classic and Post-Modernist Traditions</title>
		<link>http://sensesofcinema.com/2012/feature-articles/ernst-lubitsch-and-nancy-meyers-a-study-on-movie-love-in-the-classic-and-post-modernist-traditions/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/ernst-lubitsch-and-nancy-meyers-a-study-on-movie-love-in-the-classic-and-post-modernist-traditions/#comments</comments>
		<pubDate>Sun, 18 Mar 2012 06:05:08 +0000</pubDate>
		<dc:creator>Robert Alpert</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 62]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10933</guid>
		<description><![CDATA[Lubitsch and Meyers? At first glance an unlikely couple, yet Robert Alpert traces the convolutions of movie love across differing eras to reveal its continuities and fault lines. ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2012/feature-articles/ernst-lubitsch-and-nancy-meyers-a-study-on-movie-love-in-the-classic-and-post-modernist-traditions/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>All Visual and No Sound Would Make Jack a Dull Boy</title>
		<link>http://sensesofcinema.com/2012/feature-articles/all-visual-and-no-sound-would-make-jack-a-dull-boy/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/all-visual-and-no-sound-would-make-jack-a-dull-boy/#comments</comments>
		<pubDate>Sun, 18 Mar 2012 06:01:43 +0000</pubDate>
		<dc:creator>Gabrielle Ringuet</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 62]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10982</guid>
		<description><![CDATA[Focusing on a key scene from Kubrick’s <em>The Shining</em>, Gabrielle Ringuet discusses how the actors’ vocal performances and the scene’s sound design contribute to its effectiveness]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2012/feature-articles/all-visual-and-no-sound-would-make-jack-a-dull-boy/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Colombiana: Europa Corp and the Ambiguous Geopolitics of the Action Movie</title>
		<link>http://sensesofcinema.com/2012/feature-articles/colombiana-europa-corp-and-the-ambiguous-geopolitics-of-the-action-movie/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/colombiana-europa-corp-and-the-ambiguous-geopolitics-of-the-action-movie/#comments</comments>
		<pubDate>Sun, 18 Mar 2012 06:00:03 +0000</pubDate>
		<dc:creator>David Martin-Jones</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 62]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10986</guid>
		<description><![CDATA[The films made and distributed by Luc Besson’s company are, too often, dismissed by critics. Yet they may, argues David Martin-Jones, provide interesting insights into understanding global cinema.  ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2012/feature-articles/colombiana-europa-corp-and-the-ambiguous-geopolitics-of-the-action-movie/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Maurice Pialat: Acts of Grace</title>
		<link>http://sensesofcinema.com/2012/feature-articles/maurice-pialat-acts-of-grace/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/maurice-pialat-acts-of-grace/#comments</comments>
		<pubDate>Sun, 18 Mar 2012 05:59:54 +0000</pubDate>
		<dc:creator>Max Nelson</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 62]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10944</guid>
		<description><![CDATA[Max Nelson reflects on the work of one of France’s singular auteurs.  ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2012/feature-articles/maurice-pialat-acts-of-grace/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>John Ford’s The Sun Shines Bright and the Search for a Moral Order</title>
		<link>http://sensesofcinema.com/2012/feature-articles/john-ford%e2%80%99s-the-sun-shines-bright-and-the-search-for-a-moral-order/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/john-ford%e2%80%99s-the-sun-shines-bright-and-the-search-for-a-moral-order/#comments</comments>
		<pubDate>Sun, 18 Mar 2012 05:58:34 +0000</pubDate>
		<dc:creator>Richmond B. Adams</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 62]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10991</guid>
		<description><![CDATA[Set in the Jim Crow South, Ford’s depiction of race relations and its attendant moral ambiguities are discussed by Richmond Adams. ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2012/feature-articles/john-ford%e2%80%99s-the-sun-shines-bright-and-the-search-for-a-moral-order/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>2011 World Poll</title>
		<link>http://sensesofcinema.com/2012/feature-articles/2011-world-poll/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/2011-world-poll/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 03:44:25 +0000</pubDate>
		<dc:creator>Various</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 61]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10527</guid>
		<description><![CDATA[The Senses of Cinema 2011 World Poll presents a selection of readers' and writers' favourites (and least favourites) from the realms of theatrical release, festivals and other film culture activities from the year. ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2012/feature-articles/2011-world-poll/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Significant Cinema: The Scene of the Crime</title>
		<link>http://sensesofcinema.com/2011/feature-articles/significant-cinema-the-scene-of-the-crime/</link>
		<comments>http://sensesofcinema.com/2011/feature-articles/significant-cinema-the-scene-of-the-crime/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 06:23:16 +0000</pubDate>
		<dc:creator>Murray Pomerance</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 61]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10225</guid>
		<description><![CDATA[The cinema turns every viewer into a detective. Murray Pomerance goes in search of “signs” and their significance in films]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2011/feature-articles/significant-cinema-the-scene-of-the-crime/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>We Are Not Innocent Anymore</title>
		<link>http://sensesofcinema.com/2011/feature-articles/we-are-not-innocent-anymore/</link>
		<comments>http://sensesofcinema.com/2011/feature-articles/we-are-not-innocent-anymore/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 06:19:58 +0000</pubDate>
		<dc:creator>Jacques Rivette</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 61]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10045</guid>
		<description><![CDATA[Originally published in early 1950, this is, quite possibly, the first time Rivette commits his views on cinema to print. And fascinating thoughts they are in the light of his writing and filmmaking to come]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2011/feature-articles/we-are-not-innocent-anymore/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>L’amour fou: A Revolution in Realism, Reflexivity, and Oneiric Reverie</title>
		<link>http://sensesofcinema.com/2011/feature-articles/l%e2%80%99amour-fou-a-revolution-in-realism-reflexivity-and-oneiric-reverie/</link>
		<comments>http://sensesofcinema.com/2011/feature-articles/l%e2%80%99amour-fou-a-revolution-in-realism-reflexivity-and-oneiric-reverie/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 06:18:00 +0000</pubDate>
		<dc:creator>Mary M. Wiles</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 61]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10047</guid>
		<description><![CDATA[An excerpt on one of the masterpieces of 6os cinema from Mary Wiles' forthcoming book on Jacques Rivette, published by Illinois University Press. ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2011/feature-articles/l%e2%80%99amour-fou-a-revolution-in-realism-reflexivity-and-oneiric-reverie/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>“Even God Was Overcome by Laziness”: An interview with Aleksandr Sokurov</title>
		<link>http://sensesofcinema.com/2011/feature-articles/%e2%80%9ceven-god-was-overcome-by-laziness%e2%80%9d-an-interview-with-aleksandr-sokurov/</link>
		<comments>http://sensesofcinema.com/2011/feature-articles/%e2%80%9ceven-god-was-overcome-by-laziness%e2%80%9d-an-interview-with-aleksandr-sokurov/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 06:15:04 +0000</pubDate>
		<dc:creator>Marko Bauer</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 61]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10333</guid>
		<description><![CDATA[A true poet of the cinema, the director of, amongst others, <em>Russian Ark</em> and <em>The Sun</em>, talks philosophy, religion, aesthetics and the Russian soul]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2011/feature-articles/%e2%80%9ceven-god-was-overcome-by-laziness%e2%80%9d-an-interview-with-aleksandr-sokurov/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Son of Atlantis: prologues and epilogues with Sokurov</title>
		<link>http://sensesofcinema.com/2011/feature-articles/son-of-atlantis-prologues-and-epilogues-with-sokurov/</link>
		<comments>http://sensesofcinema.com/2011/feature-articles/son-of-atlantis-prologues-and-epilogues-with-sokurov/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 06:10:17 +0000</pubDate>
		<dc:creator>Marko Bauer</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 61]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10059</guid>
		<description><![CDATA[Using interview footage of Sokurov and combining it with other elements, the filmmakers produce a contemplative video-essay on the director]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2011/feature-articles/son-of-atlantis-prologues-and-epilogues-with-sokurov/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Cinema and Abstraction: From Bruno Corra to Hugo Verlinde</title>
		<link>http://sensesofcinema.com/2011/feature-articles/cinema-and-abstraction-from-bruno-corra-to-hugo-verlinde/</link>
		<comments>http://sensesofcinema.com/2011/feature-articles/cinema-and-abstraction-from-bruno-corra-to-hugo-verlinde/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 05:09:26 +0000</pubDate>
		<dc:creator>Raphaël Bassan</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 61]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10223</guid>
		<description><![CDATA[An insightful historical survey of the practice and aesthetics of visual abstraction from silent cinema to the present. ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2011/feature-articles/cinema-and-abstraction-from-bruno-corra-to-hugo-verlinde/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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