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Trip to the Moon

‘Chromatic Frankenstein’s Monsters?’: Restoration, Colour and Variants of Georges Méliès’s Voyage dans la Lune

The restored edition of ‘the original colour version’ of Voyage dans la Lune (Trip to the Moon, Georges Méliès, 1902/Lobster Films, 2011) opened the Cannes

Bref

Bref Magazine, or, A Tribute to Short Films and thus to the Cinema in General

I have been acquainted with the magazine Bref: le magazine du court métrage (1) and have followed its articles on short films for many years

The Yards

The Films of James Gray: Old Testament Narratives

To enter the film world of James Gray is to enter a closed world of Jewish families, with tensions between family members and frequently failed

Flight2

The Yet Unclaimed Baggage of Robert Zemeckis’ Flight

In a mock recreation of the conditions in the air that pilot William “Whip” Whitaker, played by Denzel Washington in the film Flight (2012), faced,

3

Wild and Precious –A Film by Bill Mousoulis

At the centre of Wild and Precious (2012) is the character of Giulio Figurelli, an impulsive, impassioned and energetic figure. His vivid, potent, occasionally incoherent

Bref

The Desire and the Exception

We could have found many ways to celebrate our 100th Bref edition. We could have chosen to write about one or even many questions, some

Andrew Sarris

Andrew Sarris: The Last of a Kind

“If Sarris became the critic I read and reread more than any other, it was perhaps for the sense that at the centre of his

Chris Marker

Features

Chris Marker Special Dossier: My Letter from Siberia by Murray Pomerance Séance “C.M.” by Gavin Keeney Montage as Resonance: Chris Marker and the Dialectical Image by Daniel

Letter From Siberia

My Letter from Siberia

I went with my close friends Steve Miller and Nancy Corwin, sometime in the autumn of 1969 (when I was twenty-three), to see Chris Marker’s

A Clockwork Orange

Kubrick Creator: Alchemy in Stanley Kubrick’s Films

How one should turn to stone. – Slowly slowly become hard like a precious stone – and finally lie there still and silent, to the

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