Issue 54
From Bombay to Bollywood and beyond: Global Bollywood: Travels of Hindi Song and Dance edited by Sangita Gopal and Sujata Moorti
The title of this anthology, Global Bollywood: Travels of Hindi Song and Dance, edited by Sangita Gopal and Sujata Moorti, is written on the book’s
Solrun Hoaas 1943-2009: An Interview with Lisa French
On 11 December 2009, filmmaker Solrun Hoaas died suddenly in Melbourne, Australia. Having only seen her a few weeks before, I was shocked at the
Solrun Hoaas on DVD
“Then I weave a square, and little by little the basket rises.” - Solrun Hoaas, There’s Nothing that Doesn’t Take Time (1981) Solrun Hoaas slipped
Personal Statement
This article was first published in the groundbreaking Don’t Shoot Darling! Women’s Independent Filmmaking in Australia (Greenhouse Publications, Richmond, 1987, pp. 204-6). It is reproduced
Aya
The following review of Solrun Hoaas’ sole feature, Aya (1990), is republished with the kind permission of the author and Tina Kaufman, then editor of
La ronde
A recent roundup of prostitutes in a small town yielded a collection of mug shots of the women of the night. Looking at these empty,
Figuring Landscapes
Figuring Landscapes is a remarkable collection of moving image works that has grown from the background of the political and cultural history that links the
Amarcord
The world of Fellini’s Amarcord is one shaped by the director’s own imagination. Often accused of being an apolitical artist who betrayed neo-realism and cared
La Dolce Vita
Federico Fellini, one of the cinema’s greatest artists, began his career as a cartoonist, and then enrolled in the University of Rome Law School in
Nights of Cabiria
Le notti di Cabiria (Nights of Cabiria) is Federico Fellini’s classic visual study of romantic resilience and faith in human nature. The film is also