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Three Auteurs

Jean-Pierre Melville: Encounters with Conscience

Philosophical meditations on the existential and moral landscape of Melville’s cinema

The Last Man: An Epitaph for Sam Peckinpah

“His femininity is the femininity of the witness. Of the artist. Of the eye behind the camera.” A radical reappraisal of Peckinpah’s œuvre

Otto Preminger and the End of Classical Cinema

One of Hollywood’s finest exponents of mise en scène, Preminger, it can justly be argued, is instrumental in defining the transition from classical to modernist

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